Touch and Go

Sometimes I write things in the margins of my class notes. Usually, it’s just random bits of potential story dialogue or abstract geometric doodles, but every once in a while a short poem pops out.

Touch and Go

Write Away, Write Here — Oct. 10

Alright, so as I’ve no doubt mentioned before, every Wednesday evening is “Write Away!” at the UW, where eager wordsmiths run through a trio or quartet of semi-random prompts for about fifteen minutes apiece, then share the results (no self-criticism beforehand!). I’ve shared the fruits of this group in the past (“Fyrewrit,” for one), but I thought to myself: why not start posting this stuff on a weekly basis? So straight from this last Wednesday, here we go–(mostly) unedited, (generally) uncensored, and (largely) unfinished:

18th Ave NE” [Prompt #1: Write something based on a classified ad]

At first, the alleyway that bisected the brownstone buildings of 18th Ave NE seemed a woeful picture of the effects of gentrification clashing with overblown artistic sensibilities in Seattle. Specifically, it was a rectangular strip of reinforced windows opaque with spray paint and dumpsters in practically neon shades from the same, but at the narrow path’s center was something unlike anywhere else in the city: an apartment in Paris.

This is to say that between 5266 18th Ave NE (Dave’s Pizzeria) and 5270 18th Ave NE (Flannery’s Tavern), there existed a casual spatial anomaly wherein what appeared to be the greater studio of a lavish French condo suddenly grew into existence as one entered the alley’s epicenter. The well-polished floorboards merged with the crooked surrounding bricks like two Lego sets jammed together by a thoughtless child, and a solitary window that should’ve looked into a chrome-filled kitchen instead faced a metropolitan skyline filled in no small part by an outline of the Eiffel Tower, above a modern computer desk and chair. With enough time, the surroundings as a whole would fade and shift into a full loft apartment, with a simple exit (and further defiance of physics) achievable by exiting through the front door and into the pizzeria restroom.

And yet there was a caveat: the sight would only become apparent to those in active need of a new apartment, which was how the phenomenon came to the attention of Laura Chance, fresh off a lease in a higher-priced University District complex and more than a little curious as to the numerous local police reports of inebriated homeless people claiming to have found solace for the evening in a public art exhibit on 52nd…

18th Ave NE, Part II” [Prompt #2: A hypothetical response to said ad, though it was apparently supposed to be for another ad.]

The story behind Laura’s investigation of, introduction to, interest in, payment for, and eventual exhaustion with Seattle’s only Parisian apartment is one that need only be addressed in regards to its final phase: Ms. Chance simply got sick of the place because the window to the outside was a good twelve hours ahead of the time zone in Washington state, she was taking too many credits already to bother learning French to take advantage of the computer, and she was at times paralyzed by the possibility that a garbage truck driver living on his friend’s couch would plow through the lot while she was dusting the varnished redwood bookshelves.

Instead, let us turn our attention to Max Smith, the neurobiology major who encountered a listing which read: “$750-850. UTILITIES and internet included. Available Now.”, accompanied by a short list of contact info and the address. It was this early that Max felt confused, for priding himself on a block-by-block knowledge of the neighboorhood that rivaled that of Google Maps, he knew that there was no actual building at 5268 18th Ave NE, at least not anymore.

If anything, the call to Laura was a matter of correcting her misprint, but the girl’s assurance that she was not mistaken piqued Max’s interest, sleeping as he had been for long enough on the top bunk of a bed in a dorm room with all the square footage of a dwarf’s tornado shelter. That Friday, he went on over…

Anda Mir” [Prompt #3: Inspired by some poem about “The Tarantella”, which reference someone named “Miranda” throughout]

Does anybody really call their daughters Miranda anymore?

Maybe it’s just as well, since it

mostly makes me think of George Miranda,

then Carmen Miranda, and I

get confused and wonder why we named a law

after a woman with bananas in her hat.

That, or Miranda Cosgrove,

who last I heard was playing pop music

as only the Disney brand can manufacture.

 

And after that, I start thinking of anagrams:

I ran mad, raid man, an ad rim,

and so on, ad nauseum, ’cause it just goes round

and round in circles like a silly shaking head—

Mirandamirandamiran—damn, man, that’s enough

of that.

 

We need to bring back Crystal,

or Stephanie, if indeed they ever left.

A good name is hard to find,

at least when you always have one in mind.

 

I am Rand. Mar a din.

Dammit, I’m doing it again.

Hey, does anybody call their daughters Amanda anymore?

I hope so.

It’s an adamant decision, after all.

Newspaper” [Prompt #4: Group Poem – Newspaper. Everybody comes up with some lines on the topic and we read ’em one at a time in a circle. These are my lines.]

Got a dollar? I want to hear what this ink and shredded wood have to say.

If computers rule, one will still blow down the street when the world ends.

Politics are a joke—Garfield is serious business.

It’s National Poetry Day (+Exuberance is Beauty)

Well, shoot, I didn’t even know! That is, until Neil Gaiman tweeted about it… did you? Well, in any case, it’s a bit late for the “day” part, but seeing as starting into another poetry course at the UW has got the poems, poem concepts, and poetic snippets flowing like never before, this event couldn’t have sprung upon me at a better time. Thus, please find attached the most recent fruit of my labor, the title of which–per a class prompt–is lifted from the bizarrely beautiful “Proverbs of Hell” by William Blake.

Exuberance is Beauty

It is The Season

See how menacing “’tis the season” sounds when you write it grammatically correct? Anyway, I was on the fence about writing something Christmas-y this month, but as is often the case, I finally got an idea! It’s “Christmastime”–a simple poem, but I hope it’ll contribute to your enjoyment of this wonderful time of year, if only more than Justin Bieber’s “Mistletoe” or a rerun of Jingle All the Way. Additionally, I’ve attached a free-verser from a year or so ago that I wrote in Intro to Creative Writing; this one’s called “Winter Day”, and while I’m not outstandingly proud of it, I think it’s worth sharing now. Have a happy and/or merry Christmas and/or other snow-related ethno-religious celebratory period!

Christmastime

Winter Day

The LD on L&D

Happy September, all! As is generally the case, I’m in no mood for a graceful opening segue, so I’ll just cut to the chase: It occurred to me a little while ago that while I may have mentioned it in passing, I haven’t actually given out much information about my next book, and that would be as good a way as any to pad out this blog between now and its eventual release.

So, let’s start with the name: It’s going to be called Love&Darkness (stylized as one word), and it’s another short story collection. The name alludes to the fact that, while there are still the lighthearted and “Twilight Zone-y” tales you saw in Distortions, a disproportionate amount will concern courtship, romance, and the brokenhearted. Additionally, though there’ll be at least as many “actual” stories as in its successor, about half of the book will be composed of poetry, with both elements deliberately arranged in thematic patterns. Right now, it’s about half-finished—I won’t say exactly how many pieces will be in it, because even though I have a precise number in mind, it might fluctuate later. I’ll say this, though: It’ll be at least twice as long as Distortions, and include reprints of all the stories posted on this site, plus most of the poems. A few weeks ago, I finished my most recent story “Were” (as in “werewolf”), and I’m currently at work on the next one, “Hi!”

Unfortunately, my attempt to quicken my writing schedule by establishing goals has had little to no effect, as I’ve thrice missed a self-imposed deadline. But since I’m a firm believer that if you don’t have a good reason to procrastinate, you might as well thoroughly explain your bad one, I’ll tell you a couple of the factors behind why I’m dragging my feet this time:

 

  1. I bought a used copy of Uncharted at PAX, and since my PS3’s (basically new) hard drive got corrupted again a few days ago, I feel a fair sense of urgency to complete it. However, things aren’t going too well so far, as it’s proven to be considerably more difficult than the sequel (or at least more repetitive) which does it no favors as a “cinematic” game. In fact, scratch the niceties—it’s demonstrably worse just for the insane difficulty of what I assume/hope is the final level, so the distraction it presents probably won’t go away, so much as be replaced by me (re)playing Fallout 3.
  2. While the mysterious nausea I so grieved about in a previous post has been considerably quelled by regular medication (although I still feel a more pronounced hunger during the night and morning than I remember from the first nineteen years of my life), a new foe has approached: Perpetual headaches! For the last week or two, I’ve been battling a pain that is irritating at best and a facsimile of Harry Potter eating ice cream too fast when he runs into Voldemort at worst. Since it sticks mostly to the area square above and around the nose, severe upper nasal congestion is the likeliest candidate, although allergies and summer-related dehydration are potential constituents as well. My paranoia about physical health being what it is, the doctor’s appointment I partook of the other day did little to ease my mind, although I’m taking his advice and popping some generic allergy meds for another seven days to see what happens. I guess my point is, it’s hard to sit and think in front of a glowing screen when it feels like little elves are hitting your sinus cavity with toffee hammers.
  3. The internet. Always the internet. If my primary residence wasn’t in the middle of the woods, where the bills for hooking up a satellite connection might as well have an “infinity” symbol on them, I probably wouldn’t even be able to type my own name without alternating between Facebook and Wikipedia every twenty seconds.

…And that’s all I’ve got to say for now, really. I Photoshopped together an idea I have for the cover, which I’ll give to Mr. Duquette in the near future so he can work his magic with a canvas and/computer. I’ll be moving up to Seatttle in about a month for my first quarter at University of Washington—it certainly won’t get any easier to write up there, but I won’t rest until you can read Love&Darkness as it stands in my mind right now!

It’s No Use…

Go Knock on the door of a locked house
And denial is all you will find
There’s a chain on the latch, and it’s rusty
Though the age, you yet cannot divine

Now Perhaps there’s a window that’s opened
And through which you may clamber within
But the blinds are all drawn and the shades shut
Though you swear you can hear a faint din

And Maybe there’s a key that is hidden
In a rock made of plaster and paint
But the garden is overgrown greatly
With flowers of sinners and saints

Save The times that you’ve spent in your searching—
Leave them promptly, as well as the stair
For you’ll pry and you’ll beat and you’ll plead, “please”
All in vain, when there’s not a soul cares

Love The tiles, the roof, and the mortar
But admire them all far, alone
Oh, there’s nothing more cruel to a heart than
To just knock at a dead-lockéd home.

Warning

Her hair cascades in waves that shine like fine obsidian

Her eyes, the green and cooling sheen of winter wearing thin

Her figure, well-defined; her mind, it seems does little much

I can control, for on her soul, a sign reads, “Look, Don’t Touch”

 

Her skin so pale, as if it hails from polished alabaster

Her voice, resolved, it leaves absolved the pains I cannot master

Her spirit, dark, perhaps a lark, or maybe just a crutch

For inner woes—Why? No-one knows. The sign reads, “Look, Don’t Touch”

 

Her artistry, soon history, still leaves my passions racing

In photographs, she rarely laughs, yet by them, I go pacing

 The warning’s there, it’s hardly fair, and I have thought, as such

That rules be damned, I’ll take her hand, and Look inside her Touch.

A Poem = Published

My submitted poem, “The Dreamers Said”, won a spot in the Creative Communication compendium “A Celebration of Poets”!