My First Short Film: “INCOHERENT HEIGHTS”

This year, I made my first submission to the Tacoma Grand Cinema’s annual “253 Short Film Competition,” which entails entrants having three days to make a film no longer than 253 seconds and containing four common elements not revealed until those 72 hours commence! This time, the necessary pieces were:

1) A competition
2) The phrase “it’s time to roll”
3) Artificial intelligence
4) A tattoo

With that prompt in tow, I whipped up this cautionary tale of landlord-tenant law gone amuck in an automated near-future. While it didn’t take home any trophies, it was eligible for an audience-favorite award and did get a few noms! The true award, though, was what I got no matter what: a chance to truly say I had a movie screened at a theater. I had a ton of fun with it, and I look forward to doing similar projects in the future!

New, Admittedly Bleak Poem: “This Selfish Ink”

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Requiem for a Bic?

A catch-up follow-up to “Advice to My Past Self on Dating” here! This time, the subject is a little more modern. As I’ve eased out of college ways of thinking and into a “real job” in the “real world,” I’ve discovered the obstacles to creative discipline and inspiration aren’t just social media FOMO and videogames–there’s also wondering whether you’re wasting time that could be better spent benefiting others.

Increasingly, as I try to downsize in life and strip away distractions, I’ve been forced to confront that my biggest writer’s block is a fear that the whole endeavor is a waste of time. Why am I trying to write this story, I’ve found myself fretting–consciously or not–when I could be at the office catching up on that one project I’m behind on, or doing research to get better at my job and help more customers? Eventually, that stress compounds with building frustration about social anxiety and professional shortcomings and… well, let’s just say my brain is not a pleasant place to be most weeknights. One evening in particular, I was so frustrated with that feeling that I decided to sic it on itself, and pounded out 90% of this stream-of-consciousness in an underused notebook with a fitting (if not apocryphal) quote from another “White” author on the cover.

This is not who I am all of the time, but it’s who I am enough of the time that I wrote this. So forgive me, but I just had to spent an hour or two jotting down…

 

This Selfish Ink

This selfish ink, these words I pen,
could help another live again;
could pass a bill or write a check;
could lend a loan—one would expect
that with the prose which I can blend,
that every letter which I spend
should go instead to someone’s cause

far better than to simply pause
before a notebook every day
and while all my youth away
in tales and logs and verses long,
a horror short or sorry song.
So many need this language more
than stories shelved behind my door:
a tenant on the streets for rent;
a fraudster who should now repent;
a client of an errant smith;
I can’t help but compare, and if

this passion and my line of work
could spar, then with a nervous jerk
the former fades into a buzz
and latter stands, and that’s because

if I have hours just to dream,
when nothing’s real or as it seems,
then those are hours that I need
to prove that I can still succeed
in what I do to earn the nights
when I can dim the city lights
and act like someone gives a damn
for what I do and who I am—
but I can’t breathe inside my head
if doubt just bloats it out instead,
and all I have between my ears
are deadlines, doubt, and flushing fears.

This selfish ink, these words I pen,
could be the marks that do me in.
Yet I would rather rot by scars
dug deep in blackened ballpoint mars
than sore of back and burnt of brain
on every nine-to-five the same.
I’d rather write nothing at all
than everything upon a wall
that then compiles, mortared brick
into a stiff yet soft and sick
imprisonment of soul and sense.
But I will never be so dense

as to presume that I’m alone
in begging life to throw a bone,
escort me to a state of grace
where I don’t ever have to face
that, as it is, I’m here on earth
just chasing sparks of quiet mirth,
while fire burns my silent nerves
and slowly chars my spring of verve.

This selfish ink will live in rhyme—
that’s all I seem to have the time
to calculate without a care:
a vowel here, a line break there,
relenting to the nursery’s pull
when otherwise my mind is full
of all the guilt that I accrue
when debt of every promise due
comes calling for its common cents,
and so my gross incompetence
is advertised for all to see.
The weight of it is crushing me—

the most that I can do to lift
is grab a page and slowly sift
through figments, puns, and rules of three.

My undertreated ADD
is running dry as an excuse.
I’m praying that I have some use
except to aim my tired eyes
at crisscross T’s and dotted i’s,
or selfish ink’s just all I’ll be
when you come take what’s left of me.

New Poem: “Advice to My Past Self on Dating”

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Of two minds… and sides of the couch.

So I fell off the wagon with regular updates again, but there’s a good reason this time, I swear: I moved in March, and, uh… I don’t have a desk at my new place. Typing at the dinner or coffee table is taxing! …Okay, still pretty weak. Well, in any case, I did get a few more poems out in the interim on my phone, on a notepad, or cobbled together from scraps thereupon–and here’s the first.

I’ve heard it said that being embarrassed by your past self is a net positive, because it means you know you’ve improved since then. If that’s the case, then I gotta admit I live a pretty positive life nowadays. Adulting can be stressful as all get-out, but while professional woes are one thing, I was in a pretty bad place personally during undergrad (as even the back archives of this site can attest). After seven-odd years, time has given me a healthier, more measured perspective on a lot of things, but dating in particular. I’ve not done much more these days than then, truth be told, but when I look back on how I approached it before, I shake my head at the desperate yet idealistic attitude which which I regarded romance, whether the subject was actual or imagined.

Hence, I thought it’d be an interesting wish-fulfillment to imagine directly discussing the matter with my past self. I even went so far as to pull lines from the all-purpose “poetry scraps” document I’ve kept on my computer for a decade, and use stray verses I’d previously drafted as topics of criticism instead of wholly earnest sentiments. It’s a trite exercise, perhaps, but a cathartic one as always. Hopefully I’ll be able to imagine an all-new exchange with the self that types these very words in, say, 2025! But, until then, all I’ve got is just some…

Advice to My Past Self on Dating

 

So, how does this work?

Well, first, don’t be a jerk,
but also don’t fall headfirst to please.
Too many white knights think they’re dark knights—
if you try to ‘win’ her, you’re already losing.
Unrequited love, isn’t.
Elliptical eye contact can’t count as conversation
you’re entitled to exchange for her
free time.

Okay, so, kinda contradictory.
But let’s just say I wait,
play it cool.
Who’s even gonna come by by graduation,
or whenever I figure it out?

Plenty.
Heather won’t last forever,
but God, you’ll learn so much.
Maggie’ll make a fool of you—
could take the one-night stand, but I advise against it.
Madi evaporated, so don’t worry about her.
Stevi isn’t even a student, but you’ll still lurk
by her office, clammy fist clenched.
You’ll think you heard her lurid timbre, but it was just
a door closing to your back.
And there’s a girl in black
with a snub nose and gamer tats
that’ll grab your heart like a rollercoaster shoulderbar
until you tell her so.
And that’s just undergrad.

Oh.
I was afraid
of that. At least I get a chance.
But in the meantime, I still just feel so
low.

Well, there you go.
Your first mistake
will be thinking a girlfriend will solve all your problems.
There’s no motherly lovers out there,
no manic pixie painkillers that’ll act
a Madame Advil and
distract you from every ill at their own sole expense.
Lovers are people, too.
Gotta give to get.

Shit. Well, fine. But it’s been a few months, and
I can’t seem to fit in
enough to make anyone notice me.
For a progressive paradise, this town
feels so damn diametric.
Who said you can’t wear a dress shirt
and also support free love and disestablishmentarianism?
Someone must’ve
whispered it into a tape recorder,
placed it as a secret track on one of those pop punk albums
I always miss because some stoner stock-boy
placed it between Jazz and New Wave
where it doesn’t belong.

Just as well. Those songs will be your downfall
if you don’t watch yourself—mere minutes
stretched into years of getting left on Read,
Fueled By Ramen’s finest amplifying your anxiety
like a mic to a speaker,
parting pleasantries ringing in your memories.
You’re better off a contradiction, kid, trust me—
That’ll attract in due time,
more than screeching along to your iPod in shotgun
while she already wonders when dinner’ll end.

What, then, I should hide
how I feel?
Maybe you’re right.
I’ve lost more friends to love than hate,
so sue me if I choose to wait
to lay it all out on the line
like linen sheets—I’ll say I’m fine.

Nice couplets, but it’s
more than just bottling or blowing up.
Don’t go full incel just to say it
makes you feel better about getting turned down,
but then don’t be the starry-eyed puppy praying for table scraps.
You of all people should understand that balance, man.

But I can’t stand this, just sitting in the middle..
It’s not like I’m ever thinking of a wedding—
No mints printed with our initials, a Tumblr’s worth of TWs.
I just want to believe
bad girls can do good
by me. That ladies like a spray-painted mansion,
elegant exiles,
can succeed under the wing of a humble geek.
Rock and roll will never die,
even if I have to perform CPR on it myself
through the mouth of a girl with safety pins for buttons

Uh, whatever you say.
God only knows
where you got that kink,
but you gotta remember the statistics
of what most likely drives
your average lacquered tomboy.
You could chase the dream, but you don’t want that
exhaustion, that whimsically privileged irresponsibility
of a genderless mistress pissed at cishets,
fishnet-swaddled, rattling on about how
heartbreak perpetuates the patriarchy.
Hold out for a more sensible individual
in clean jeans and modest brunette locks.

And you’ve got the gall to call me misogynistic.
Maybe I’ll just believe whatever helps
me get through another day of interminable midterms
and intersections like demilitarized zones
mid-route to overpriced groceries.
That they’re too good for me.
That I’m better off on my own.
That sex is like carpentry: screw too much
and you’re bound to strip.
I don’t have the luxury of courteous confidence
like you apparently do.

Oh,
dude, if only.
I know it must feel
like your heart is haunted,
a cold spot everyone steps around or screams at.
That’ll get better with age and experience,
I promise.
But the burning butterflies when the right blue eyes meet yours?
The dry tongue tasting out how best to linger
by the punch bowl to break ice?
The invisible walls you erect when you expect to encounter her,
mime-like barriers of the brain and bravado?
Those never really go away—
you just have to temper it, internally
pour cogent water on lava-hot infatuation
until it cools and coalesces
into an obsidian binary: hold or fold.
Maybe not the answer you wanted to hear,
but I’m here
to be honest, not awesome.

Ah, that’s… fine.
I don’t mind. How could I,
after everything I admitted?
Because I realize now
I’ve never been in love with anyone.
Any thing? Sure.
There’s nothing
my heart and mind can covet
like a lenticular Blu-Ray box set
or a collector’s edition Nintendo game,
nothing that captivates my wolf’s mind
and warrior’s spirit like plastic capitalism
and the promise of a shiny new tomorrow.
When you put it all like that, perhaps
I don’t deserve true companionship.

No one does. And that’s what makes it
so wonderful: Because you gotta go
out of your way to make it work.
Romance isn’t wondering and wailing, and it’s not waiting.
It’s walking out the door with your chin up, shoes clean, and eyes open,
and looking like who you want to be
when you consider the mirror between brushstrokes.
And even then, there’s no guarantees.
All the pickup artistry in the world won’t paint over
a canvas of bad timing and mismatched goals.
But opportunity arises best
when you don’t thrive on recycled air.

Fair enough.
I hope I can roll with that.
Guess I’ll see you in a few years?

Fewer than either of us
might like.
Reflection is directing a bullet into the past,
letting brutal clarity ricochet, deafening, around a chamber
of stagnant emotions.
But, it’s the least I could do.
I know you won’t remember it all,
and that’s fine.
Time makes scholars of us all, because
the only way to really learn
is to wish you already had.
Just have some fun while you’re back there, will ya?
For one.

I’ll try.

Make that for two.

New Poem: “She Could (The Second Thing)”

I had a bad knack for unrequited love in college. Who didn’t, right? Still, in times of uncertainty or prolonged anxiety, it’s easy for one’s mind to recline into such memories. Hindsight is 20/20, and so yesterday’s stress can feel enticing simply because reflecting on it gets us closer to a time when things seemed simpler and—for all we know—different decisions could’ve been made.

I know that’s not healthy or wise, though, and so as a kind of warning to myself—both six years past and now—I slowly wrote this over the course of several months. I had a particular individual in mind, but this advice has been generally applicable more times than I’d like to admit. Harsh though it may be, I hope people who’ve been in similar ruts can relate and find some motivation from the sentiments herein. Moving on can be as harsh as you want, so long as you keep the worst of it from hurting anyone.

painting flowers

She Could (The Second Thing)

Okay, so you know
the first thing about her.
Her looks. Her likes.
Her tics and timbre and flair
for the poetic.

But you don’t know
the second thing about her.

She could’ve gone gay, struck
upside the petite head with whatever
metaphorical brick or pixie dust bestows a change
of persuasion in this era of commodified queerness.

She could smoke, weed or Winstons.
Maybe she picked it up from the boyfriend
in the last five years,
or maybe she always did and you never smelled it,
too nasally blinded by the scent of desperate
campus coffeeshop lattes and your own futile hubris.
You don’t want the taste of cremains and skunk cabbage
when you go in for a kiss,
that leafpile crackle of a voice
and papyrus skin by middle age.

She might’ve married already,
carried a hyphenated name and kept it
low key on FB.
Or for that matter, moved out of town.
Not everybody updates ASAP,
and it’s not like you’d get invited
to the ceremony or a housewarming.

She could’ve gone far-left, political
compass frozen at Northwest,
all pink-knit pussy hats and misandrist Cosmo quizzes,
checking privileges like a metermaid at lunch hour.
Another Seattleite brought low
by good intentions and bad optics.

Maybe she gained weight—
social inaction, that Reubenesque rebellion
of modern misfits.
Or grew her hair out.
Got a scar or lost a digit.
See how far shared hobbies get you
when the infatuation isn’t
physical anymore.

Break your porcelain dolls
and walls of echoing expectations:
The songs you stopped listening to;
the porn you stopped hoarding;
the lookalike baristas by whom you stopped awkwardly loitering,
psyching up for eye contact like a flip
off the top turnbuckle.
You abandoned those antique feelings
for a reason.

Just keep her where you left her,
or vice-versa: confession crystallized
in a 2010 flipphone while you watch
a Liam Neeson movie and tell yourself that’s why
your heartbeat’s above 120 BPM.

She’s a person, not a pillow—
some sentient, nonconsensual security blanket.
Make new promises, not break old ones.
Get a grip. Take a hint. Read a headline.
Grab a big glass of water and swallow your pride,
bitter taste be damned.

Return the favor and
leave her alone.

Placeholder Poetry: “Lunacy” (2017)

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Technically the moon plus company, but it’s somehow the best photo of a celestial object that my phone has ever taken.

And now, a twofer! Mondays, am I right?

In any event, this here’s a poem I wrote in March 2017 for a small journal’s competition themed around the satellite in question. It didn’t make the cut, but I usually don’t play around with format-based poetry and I like how that turned out, so — stargaze away! (now in meme-able format) :

 

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Poem: “Last Night”

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Room with one heck of a view.

As a prequel of sorts to yesterday’s post, “First, World,” here’s a poem I put together the evening before the first day of my first “real job” at the end of August. I purposely didn’t post it back then because… well, I just didn’t want to sound like a total pessimist. I figured I’d keep that bittersweet moment’s frustrations to myself, head into the office the next morning with an open mind, and then return to the words with fresh eyes after some time.

And now here we are, in October! Following a review and some light linguistic/structural tweaks, I was pleased to confirm to myself that this piece was still potent as a reflection–that crystallization of thoughts and feelings in a specific time and space, for which I so treasure poetry’s power. It may not be any cheerier than my last upload, but nights inside before big life moments tend to skew nerve-wracking.

How’s work? Well, definitely demanding–and only set to get more so–but I’m pleased to report it’s not yet as dreadful as it felt…

 

Last Night

This is my last night.

Convalescent in comfort:

Ice cream, action scenes, and domino rows of daydreams.

I stand before the mirror on mental razor’s edge,

precipice between pissing around and

the 9-to-5am.

Anything is subsistence living if your standards are high

and your hopes humble.

 

Dinner sits half-dismissed by a tallboy, equally chilled.

This is the free man’s last meal

before prison, isn’t it?

The couch a coffin, the TV’s digital dim a cell door’s welcoming creak.

On the glass tabletop, I envision a prism of discontent:

to family, fractured; to friends, indifferent.

To the ladies, the lawyers? A-okay.

Take it day by day, I say

to myself.

Let no one know how many hours I bought,

least of all me.

 

Because concentration disintegrated seasons ago.

Now, it’s a task to even finish a thriller without

tapping a foot, typing a tweet, rethinking my five-year plan.

That can’t bode well for Day One on the job.

 

So, for now, let me bask in it:

the angular eggshell glow of a lone wall-lamp,

the muffled rumble of rusty Sunday traffic through thick headphones,

the blue hue of my modem, glowering in the media center’s corner

like a punished pupil.

 

If I didn’t listen before it was too late, at least I only missed my own advice.

So little time, so much to waste,

and every second must be accounted for:

what I did, or why I didn’t.

How much longer can I pretend to enjoy my colleagues’ company?

So far, so good, I once smirked,

but likeless Facebook posts speak louder than words.

 

It doesn’t matter now.

That’s how I’ll play the first morning.

Present. Able. Presentable.

Ready and dead, by necessity.

Isn’t that what independence is all about?

Always down,

but never out.

The Bar Prep Poems

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From a rainy day in Buffalo.

I return! While another hiatus from this blog pained me, it was necessary in various ways. First I was studying for the bar exam, then I was taking the bar exam (results pending, could go either way)… and then I spent two weeks abroad for the requisite “barcation”! A trip with family to England, Scotland, Wales, and Ireland was just the (plane) ticket; every day was full of exciting moments and Instagram-worthy sights like this:

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A final night near Stratford-Upon-Avon.

But for better or worse, the first of those pictures is more relevant here. For the opening weeks of bar prep, I tried to keep to the Poem-of-the-Week schedule. Eventually, though, my free time didn’t allow for even that, and I was compelled to spend the majority of my time inside nearly all day, nose to the grindstone. Still, I managed to produce a handful of comparatively short poems over a month and a half. Some were, quite honestly, “filler,” but into others I poured with relieving clarity my frustrations about life changes, the prep process, and contemporary world events. For convenience’s sake, I’ve consolidated five of the best “bar prep poems” for this post.

[1] Days

Like a path from campus to a mountain

on the horizon, the only thing separating me

from the past is days.

 

You see me in scenes, a scrapbook clasped shut when backs turn,

but life isn’t a film that ends,

that eclipses with a resolution, then back

on the shelf next to a new time and place

and cast of characters to select,

bound together by glue or gigabytes.

There’s no dividing line between baby teeth and a jaw clenched mid-final

but the one burned by sunsets.

 

So in my head, ten thousand times laid to bed,

I’m still just the kindergartner puzzling over how to count change,

smashing controllers over bad videogames,

screaming atop the stairs when I don’t get my way.

I’m still only the middle-schooler who can’t talk to a crush,

who says gay to complain,

who bullies one boy and punches another sitting down.

I’m surviving high school as I write,

plowing into puberty like a retaining wall,

cradling a pillow when I skip out on the dance,

doodling a dozen would-be book ideas like a whip to ward off the lion of writing them.

Undergrad runs in the background of my mind like a bassline:

Trudging cool Seattle streets alone,

mouthing lines of plaintive pop songs into a smog-lit sky;

always tired, never satisfied.

Sandwiched across square miles

between interchangeable exchange students

and liberal arts darlings who think heartbreak perpetuates the patriarchy.

And higher education still echoes

with every lesson but the ones I paid 100k for:

Nobody actually cares what you do for fun.

If you think they’re too good to be true, you’re right.

Maturity is not taking breaks for weeks straight and still wanting more.

A beautiful view, but no perspective.

 

We can look down that path

and plan a hike.

Boots. Trail mix. A mortgage and diverse portfolio.

Contemplating the climb is tiring enough,

but History isn’t the mountain—

it’s the backpack.

The burden we shrug and slouch under,

of expectations, adulation, admonitions, prescriptions and proscriptions

spilling out of every pouch and zipper.

Every day, every name learned and forgotten,

every skill taught and taken away,

every to-do and what-if determined or discarded—

absent a crack to the head, it’s going nowhere.

Held hostage by memories, there’s no talking down

trying to measure up.

And looking up, to another sunrise

Past the peak,

 

we can shift our legs, try to redistribute the weight—but in vain.

The load only grows,

and this trip, in the end, is solo.

 

[2] Enough

It’s never quite.

Upper back ache, slumped over

the monitor, mind strays—

the key-jangle of studies to come

and Wikipedia search possibilities.

Snap to, for another MCQ,

only to drift again,

shift like the apartment foundation

on leather under summer heat summoning swampass—

as if there’s time for laundry.

 

Preview, view, review,

and still not comprehend it all.

Breaks bend, extend into building a bookshelf

or Swiffering the kitchen.

My mind is a ball on a slight slope, always

in need of nudging to keep it from rolling away.

But I can be distracted by distractions

or by the thought of them;

either way, progress gets put on hold.

 

Surely normal people pay more attention, I say.

Maybe.

Maybe I got this far on charm and chance, a roll of the loaded dice.

Maybe less disciplined parents would’ve put me on Ritalin since middle school.

It’d be cool, in a sense, to pretend my trials are extraordinary,

to install a glass ceiling for my work ethic

and laud those who run across it.

But I have everything I need,

 

for better or worse. The curse

of competence is discontent with just that.

Get a higher percentage. Run another drill.

Reread that sentence. Give me an example.

Every second, an opportunity

to move on, home in, bone up, flesh out,

and doubt, doubt, doubt.

If it turns out I fail, I know who to blame,

 

but it’s the same guy I’ll thank if I win,

until I reach another challenge again.

 

It’s the perfect cycle of panic, a silent fire alarm:

Everything will be okay

as long as I don’t think it will be.

Everything I try will suffice,

as long as I don’t think it’s enough.

 

[3] Catchup

There is confidence in when.

Consecrated delay, a prayer

for the future: another person, inverted

from this one: willing, able, stable.

The invisible blood blister of a torqued shoulderblade

rejuvenated to soft unobtrusiveness;

the paper-eyed dry gaze given a new coat

of sleep, to glaze over anew at the sight

of bullet points and blank lines to fill—

they’ll make more sense tomorrow.

 

Not postponed, just prejudged:

an assumption, wishful unthinking,

that this internet-addled eight-track mind

will digest it like fiber, when experience bangs on a sliding glass door,

mouthing in vain

to prepare for a restless nesting doll

of double-checks and jotted notes.

 

But it can’t all be blamed—we must maintain, whatever break it takes.

Vacuum judiciously. Clean the countertops. Do the dishes.

One wishes for a reason to season the day with chores,

those classic domestic dalliances,

and leave but a peppercorn of practice before bedtime.

All of the withdrawal from a sweaty slump before the computer,

none of the toothache-type guilt

from filling that gap with games.

 

I’ve seen this before,

the weekend’s allure. And sure,

it’s predictable, but that doesn’t mean it’s the same.

Variety is the prize we crank a crane to catch after work,

because that goal won’t come cheap.

But if I can give myself permission to take one evening off,

the rest don’t have to follow.

 

[4] 2016

I know how it feels.

The rush of division.

The high of mighty.

Every catastrophe erupts a pyramid in our midst, and we all tumble down the sides

to make a point with the pain still fresh.

No war without retort anymore,

no riot without secondhand rhetoric,

and the Conversation inflates hate and cowardice until ambiguity asphyxiates.

 

They can’t be blamed.

Terrorism is a natural disaster,

police racing headcases to see who can kill faster,

and so it’s satisfying to put on our passive war paint,

lament the end of humanity and order

from our middle-class palaces.

Pity is mechanical, the sickening cyclical,

as if God ever cared to let hashtags be prayers.

 

But there is peace

in the median, when mean is the mode.

It may not make a great thinkpiece, hitpiece, or placard

thrust aloft in the background of a montage

of martyrs and marauders,

but ambiguity is a luxury long lost.

We can say “ok.” Meh. Maybe. I can see that

both sides have a point, but I’ll sit this one out.

The world has always begged for salvation, sagged at its four corners.

I can all but guarantee the same souls who say “Silence is violence”

crank their earbuds when they pass a homeless person.

 

I understand.

It’s the fear—deep, a hard seed in a bitter fruit—

that the labels we claimed as our base are just ornaments.

That anyone can kiss, kill, donate, or decimate

in the name of a cause we wanted to die (for).

That all we thought was solid is air.

 

It scares us, and so we compare

and contrast: root out the True Scotsmen,

trumpet excuses and exceptions.

Better to err on the side of spiteful

than admit that behind every title,

every Twitter handle or burnished badge, is

a person. Private. Finite. Tired. Trying.

 

We’re lying

when we act like this is as bad as it gets

or as bad as it’s been.

We have the power now to be patient—

to toe the line, keep more than two sides in mind,

and check our facts.

 

I know.

It’s alright.

But this world can still make sense,

if you don’t force it to.

 

[5] I Earn

my inertness.

Tell myself the difference is in the buildup—

a prog rock prelude, not a poppy count-off.

But the end is the same

four chords.

See? Easy enough.

 

Such is hindsight. One’s mind

might perspire—mental hyperventilation—

knuckles digging into bunched-up sweats…

only to lift this skin out of bed and have nothing to hold onto

now that the trial is passed.

 

The perspective, reflected in an invisible thought bubble:

Anyone can play games all day, but I worked for it.

Sure, I can backslide

on diet and discipline,

but at least most folks’ to-do is my back-then.

Burdens buoy me; I tell myself

the effort was there. The obligation was a station

I sat down and refueled at;

not a brick wall I blew through—drive first, take painkillers later.

 

It’s a temperamental tightrope, this balance

between decompression and depression.

A flat affect could be calm or sloth, depending on the audience.

Good thing I’m getting better at social cameras,

though the blooper reel never closes.

 

Don’t tell me I don’t deserve this,

I insist. I could list

everything I went through to get here, but it’s self-imposed.

No more external than drug abuse or loose morals,

just the converse.

Gotta spend money to spend money.

And it’s funny:

 

The less I work, the less there is to work out.

Time decides our priorities for us,

so when I want to do nothing

that matters, the choice falls

to the black-lit sharpened strips of digital time.

 

Let them be

kind.

 

Poem of the Week: Telling Phone

I won’t waste space talking about how significant smartphones are in daily life now, for better or worse. However, with that prevalence, I’ve come to notice certain common signals and phrases they convey can signify much more. Amusing or compelling? You make the call (or text).

tellingphone

 

Telling Phone

Smartphones are the only removable organ

that isn’t vestigial.

We used to read.

We used to dream.

We used to think.

What happened?

Now we just stare

and type.

 

That’s how these poems go,

I suppose.

But technophobia tires.

In this new externalized mind, I find

the best reminders don’t give notifications.

 

Delete all future events.

Personal or professional—a cover closes.

The promise of occupation, docked;

a silent hand stretching into eternity, light-blue to-dos snuffed

like candles a continent away.

What we end today sends soft shockwaves to the future.

 

Ask to join networks.

A pale Post-It note to be known.

The numbers are right in your palm,

so text, message, address.

Put a tie on and try on your best hello,

portfolio in tow—no matter the passion.

Associate is an active verb.

 

Reset Statistics.

A penciled-in schedule of piano ballads,

clickbait binges, and narrowly missed conversations

can add up.

At the first toll, Pavlov’s dogged intent

to stay bent for fear of breaking

into normalcy or nihilism.

But stare down a mirror

and remaster the past,

and how much time you can still unwind will surprise you.

 

Recently Deleted.

Snapshots stockpiled to prove a point

since filed, away.

Desperate headshots, thought better of.

Some moments are paint splattered,

glass shattered: never undone.

But others linger: Bruises,

proving a date’s denouement,

a radical phase’s erasure.

A handheld closet, cleaned out,

still leaves boxes

to soften the edge of our breakthroughs.

 

Update Contacts.

Fetch New Data.

Every so often,

a closed door locks.

Identity’s lineup takes one step to the right

and we proceed: a childhood song forgotten;

certain birthdays unobserved.

Headspace echoes, but not for long.

Friend Requests accepted.

Photo Album uploaded.

Never stop learning, yearning,

and turning: a slow, mental metronome,

with work and worlds opposed.

 

Do Not Disturb.

Low Power Mode.

Everyone deserves a decompression session.

Shutter, blinds-like, the light of obligation

for a spell and a song.

Half-speed for a hoarse heart

and a brain like a PC in overdrive.

And when those windows chunk-chunk open again,

the breeze feels like progress.

Not every day can punch forward,

but some can always kick back.

 

Hide Traffic.
Use True North.

Focus.

I know it’s hard to find

a wall for your awards

when so many corners scream for attention.

The Nietzchean beauty of webcam celebrity,

of viral stars soon to supernova,

of girls with green hair and raccoon eyeshadow—

stare into the amiss long enough,

and a million-to-one shot comes off

as the best bet.

The prospect of apocalypse

from either side of the ozone;

tending to the ending but still paying rent on time.

A symphonic centrifuge

of changing tunes

that pushes away as it straddles you in place.

But you have the tools, if you want to

look for them.

Zoning out or in, paint that target

Day-Glo and go hunting.

If life is binary, divided

into an eternity of switches,

stay green.

The pressure’s necessary,

but it takes a thumbs-up

to power on.

 

Poem of the Week: “Ennxiety”

As an introvert, I have a history of social anxiety. It’s nothing that needs medicating, thankfully–for better or worse, I’ve generally brought it upon myself. It’s hard to tell if I’ve improved over time, though–once people have known you long enough, changing their image of you is difficult without coming off as desperate. I tried to touch on some of that with this poem.

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From 2013, the year of unnecessarily long hair.

Ennxiety

Time travel is possible

on paper. Life, loose-leafed, smooth

to the touch, invites experimentation.

One can skip, flip forth and back,

or savor prose, mull over mysteries.

We, readers, grow

spoiled with fictive freedom.

 

And so society strikes me

as the poorest story: immutable

as ink, yet ever uneditable.

 

School introduces it.

Classrooms packed with cliques to pick

or corners to coopt.

Day one: glances flit ‘cross the room

like silent fastballs. Mental lists assemble:

Diehard. Tryhard. Potential network contact.

And, I’d assume, friends without ends.

So when like an orchestra warmup, eager impatience in E minor,

zippers and binders close—

people peer in pockets and watch the clock—

I have to decide who to talk to.

 

But eye contact’s a contract, and

if I mind the floor or door, I couldn’t be faulted

for breaching it.

Interaction means reaction, and—elephant-esque—

I remember every errant one I gave and got.

Like a tight helmet, the weight of faux pas past strains my brain.

 

Still, I’d type events in my calendar.

Dress well. Arrive on time.

En route, the swell and quell of motivation:

Earbuds pump optimistic late-night tunes

to diffuse the cloud of an absent Plus-One.

Standing on the fringe of a booming party’s blast radius—

dimmed, dumb—I’d clutch a Solo cup until my hamstrings stabbed

and I searched for a chair.

Token goodbyes in tow,

I’d escape to moonlight,

Fists low and heart rate high.

 

Let’s hear it for the spirit

of the staircase:

Charm, like lead vocals,

sounds so much better in your head—

theorizing all the wry things

I could’ve sprung on a glamorous diameter of acquaintances:

Workplace anecdotes. Political predictions. March Madness brackets.

 

And so discontent enters tradition, a given:

different verse, same as the fifth.

Déjà craint.

The predictability of an inability

to chameleonize.

 

I’d say it was a choice, my long-term voice.

An addict’s rationalization.

I can start any time.

Young independence means the side effects of defection

before you’ve pledged allegiance.

Kicking and screaming isn’t always visible,

 

but the dents and derision are.

Without the pop, culture was my cod liver oil,

but after enough awkward gatherings—

a virtual void of group photos,

the lack of a link to amicable hashtags—

I learned to fear the look on people’s faces when they realized I thrived

on something they couldn’t care less about,

rubbernecking at childish delights.

A babe magnet with the same polarity:

Those go-yonder eyes on a girl

when I laugh too hard, speak too high, prefer chiptunes to R&B.

After that, every casual ask is like I accosted them in an alley,

because the past plasters an invisible nametag

that can make random questions

scarier than silence.

 

First impressions are the deepest.

The social concrete dries fast,

and months later, I cemented in:

Interrupting people’s 2048 games and Duke scores for a hello,

then taking seats for a trio: my pizza and phone.

And when I approach to bore through some boredom,

it’s like my invitation to relation is an exhalation

of tobacco, and they kicked the habit.

 

Anxiety is when existence in the plural takes exertion.

It’s feeling a traffic signal redden, like a dry heave,

and taking the crossing a block away instead of being on the driver’s mind

when I enter last-minute.

It’s walking the long way ‘round campus

because repetitive respect feels like weight reps, and I’ve already maxed out

on eyebrow raises and hushed heys for familiar faces.

It’s peering over dancing crowds like a prince

or primatologist, lamenting

how I’d rather hear Van Halen wailin’

than the Bacchanalian beats boxing my eardrums.

And it’s every conversation a tennis rally:

Every yep and sure a nervous volley,

pulse rising with the count;
I got this becomes for how much longer?

Or a lungful of air underwater:

Dark and harsh, pressure mounts—muscles tense—

and it’s only

a matter of time

until

I

gasp and say something stupid.

 

I’ve wondered if there isn’t some part of me

I need to take out,

with a black belt in a back room.

Not self-destructive, but self-constructive.

Because what if we’re just monkeys with a terrible disease?

Afflicted ages ago with an urge to purge

our hurt, flash our worth, put our hopes on hold

with alcohol and skin.

A need for attention while we hide our intentions.

Kicking the can of our own inadequacies

down the road, only

to get stood up on a date with destiny.

 

If so, I guess

education is evolution,

and it’s a futile centrifuge

to try and change how others see you

without checking your own mirror.

If you want to be remembered, chase something

worth showing off, or going home to.

 

The world has no proofreader.

No word cap, no delete key

for slow scenes or broken characters.

But I need to believe there’s another chapter

just pages away.

Poem of the Week: “The Teenage Waste Land”

I first conceived of this poem years ago, when Honors English introduced me to T.S. Eliot’s “The Waste Land” and I got an urge to produce a modern version that’d aggressively borrow from my own favorite stirring songs and stories. It sat there until now with only a few lines (that I swiftly deleted), but the tone remains what I had in mind–albeit more worldly now for the self-awareness I’ve gained.

In the interest of treating this like an airlock for my own melancholy, I didn’t listen to any music while writing it or reflect on songs I used to listen to for “inspiration.” If “ISYMFS” was cleaning out my closet, consider this taking the bags to the curb.

IMG_1229

The Teenage Waste Land

This love was out of control.

Tell me, where did it go?

Cold, open—I crawl from the rubble

of bubbly optimism come crashing down

like C4 to a ceiling.

Heels to headboard, bed is a hospital ward,

recuperation indefinite. Now all I can do

is lay in my room, fall asleep, dream of you,

then wake up and do nothing about it.

Songs of ready-made restlessness

spoon-feed solidarity to a tired heart.

 

And yet…

take a number, I guess.

We all have a story to tell, so it might as well

go through a few drafts.

I still remember how I made you feel, once upon a time,

but the market for fairy tales ain’t what it used to be.

I will soon forgot the color of your eyes, but I don’t mind.

Everyone will die and lose,

so what will you do with the moments before it catches you?

Never asked, always implied,

and I am thinking it’s a sign

in the rearview, those lines I cast

before I cut loose and floated away:

Just say how to make things right, and I swear I’ll do

whatever makes you happy,

if it means a lot to you.

Put like that, I get why

guy drama is relationship strychnine.

 

So, know what?

Cast your stones, cast your judgment—

you don’t make me who I am.

I’m a patient man, as you’ve discovered,

and my passion was pen and paper all along.

Are we only damaging what little we have left,

to ever reconnect?

Hell yes.

Nature abhors empty shelves;

the stories of my generation won’t tell themselves.

Let these hazards of love nevermore trouble us.

Growing old’s a fact, but growing up is optional.

 

Yet every line I write’s a cost-benefit analysis.

Is the world better for hearing how morning light looks through my blinds,

or a childhood anecdote recounted in rhythmic alliteration?

And who would know once I do?

Quickly but surely,

circular illogic draws me back to routine:

wait and debate, try and flail,

rush and submit… shit.

One rejection:

a mental injection of barbiturates,

carte blanche to bitch about luck

and how there’s not enough time.

I guess I’ll go home now.

 

But it is plain as anyone can see, we’re simply meant to be

the person we picture when our head touches down—

that gap between dim aspiration and REM respiration.

By morning, I always find the words

when it’s too late to let them slip

and fall, for fear of my stand looking awkward.

Dreams are the only thing smothered above a pillow.

 

So a few weeks, and I’m back

on the horse—a kick, and it’ll stick!

I swear, this time I mean it.

Yet self-set deadlines feel like a vice

of virtue.

So I vow if I don’t follow through…

well, shoot.

Eh, some hell will break loose.

To penciled-in punishment, what a shock when there’s mere pages

for all the ages I’ve celebrated.

 

Maybe we were made for each other,

and maybe the world will look like this forever.

The kind of lie that stretches out hope

like a prisoner on the rack.

Still, palm to palm or ink to page,

it was believable, from a window looking on an alley.

I know I sound crazy—don’t you see what it does to me?

The chance I simply swapped rash ambitions,

the artist’s star in lieu of a lover?

Feathers to gold, the value unbudging?

The pleas for an ingénue cross to an audience:

You’d be good to me, and I’d be so good to you.

Why can’t you just be lonely?

 

This suit, this smile,

this gel-shellacked hair, this friendly Facebook exchange

is just a part I portray.

And I know exactly how it got this way:

Everybody needs some time all alone,

but if you left it up to me,

every day would be a holiday from reality:

a freestyle frenzy of riffs, rides, cliffside hikes,

artificial flavors for the screen and stomach.

It could be seventy-two degrees, zero chance of rain

—a perfect day—

and I’d still take ten thousand gigs of digital infinity.

Too much of anything is too much,

except when the alternative is failing

at the only work I ever chose.

 

I always get in my own way,

but dammit, that means I’ll hit myself on the way to the ground

and keep fighting on.

I can’t change the way I see the world,

and I can’t justify my reasons, but

 

if life is a sea,

then a living is a boat,

and hope is the shoals to which I sail:

some distant, shining semblance of fulfillment.

But it’s so far away,

and the rowing is so tiresome.

It’d be so simple to just go overboard, sink into an ocean

of promotions and prefixed expectations—

boxes to check, T’s to cross, watches to gild—

and let crash the waves of rationalization and procrastination:

action movies, YouTube, Steam, doodles and daydreams.

I need your discipline.

 Just tell me the way I ought to feel, what’s right and wrong.

 

A writer’s work is never done,

but I’m addicted to being finished,

and I need comfort like water in my lungs.

So if I ever asked anything

of the ones who’ve seen me this far,

it’s this:

 

be there, my first mates,

lifejacket at the ready

made of bright red faith.

 

Dive in when I’m down.

Save me from myself.

 

Don’t

let

me

drown.