Placeholder Poetry: “The Odds” (2013)

This is Why We Don't Visit You Guys

Well, not in so many words, but…

So I could have sworn I shared this one before, but I can’t find it anywhere on the site.  What may’ve happened is that I nixed the original post in advance of submitting it to a journal a few years ago (to no avail).  Or maybe aliens deleted it!

Beyond Belief

In any event, this is another piece I wrote while studying creative writing at the UW — Advanced Poetry, to be precise.  This time, exploring two opposing perspectives was the focus.  So, consummate geek that I am, I thought:  what if when extraterrestrials do visit the Earth, they’re just as impressed by finding other life?  At least… at first.

The Odds

What are they,
these green-gilled, ten-limbed creatures?
In what world could such features flourish?
How do they go about their days
and yet find time to sculpt such ships,
raptors’ curves ‘round ventricles of light?

What’ve we found, touching down­
in this land of two-armed, soft-skinned hue-men?
Their shades do vary, but their clout astounds.
How can such simple, slender beasts survive
training ranks for spears, not gears,
as the flag on their pallid moon droops, collecting stardust?

Now, how’re we to speak
to them? To which words would they respond
or language listen? Their eyes compacted,
ears concealed, our promises of peace may crash
like satellite static—or worse, they’ll misinterpret it
as calls to war we couldn’t win.

Their gestures hint they think us dim,
but, at once, we sense their intents
like a shallow grave under brilliant blooms.
Round faces surround us, imploring “meet our leader,”
but the grins within have torn
meat from marrow and pride from the poor.

What’re the odds?
Centuries, we search—
scanning sky, loosing computers
in paternal spurts of fuel and tax dollars
to capture languid nebulae and sullen suns,
‘cross spans new units were coined to comprehend—
and another life finds us first.
We might need to steal some machines,
dissect a couple of “natural” deaths,
but who knows what we’ll learn!

What’re the chances? We’re even
in this infinity. One thousand solar-cycles journeyed,
working ‘til our tails numbed cataloging charts and channels,
all fifty fingers pinching a dwindling budget.
Hoping the last galaxies held knowledge to spare:
cleaner engines, illness’s end, peace after death.
Yet our complement is a wet and mottled mirror
in the grip of these fraught and frightened creatures.
Our work paid off,
but the currency? Worthless.

Placeholder Poetry: “Beautiful Battlefield” (2012)

IMG_1584.JPG

A light at the beginning of the tunnel.

Holed up inside during the “ice storm” blowing across Lake Erie tonight, I find myself reflecting on warmer, more floral environs back in Washington State…

Until mid-2013, my childhood home was surrounded by a huge forest of evergreens.  So when an assignment arose in my first Poetry course at the University of Washington to write a poem based on a class journal entry, I ran with one I’d jotted at some point about this lush upbringing!  I was taken with exploring how a forest can be both a place of solace and, in its own way, chaos.  I revised it a few times, including for the internal application which eventually got me accepted to the creative writing specialization program at the UW, so I’m surprised I never shared it on here!  A few new edits for readability aside, it is as it was then.

This is also a rare time where I chose to wrote in the persona of someone else. Descriptions of natural splendor aside, none of this correlates to my own life (thankfully).

Beautiful Battlefield

The forest marks the borderline
sprawled ’round me, west to south,
fencing in with evergreens the yellowed yard
and box of shingled bricks I’m told is home.
From here, my parents’ arguments are almost mute.

The sun surveys all, layers heat upon my back.
As I march through lashing grass,
rubber boots squeak and stick
with golden seeds, like a flag’s stars.
On the horizon, shouts and slaps fade like gunfire.

I enter, where spiders guard their dewy webs
‘cross saggy limbs and sloughing moss.
Boughs block light seeking rest
on a dark carpet, where logs rot in solitude.
No sign of broken dishes or discarded cigarettes.

Over here, a corps of scotchbroom huddle,
swapping pods, as tansies talk in plots;
over there, ferns protest paths of missions past
from which their leaves once prospered.

I head forth, through the birch;
seven shoots arc up and earthbound
— a bunker’s tunnel, taken root.
I pass the anthill army’s bustle
on a mound of silent static,
and a black ant scrambles up an oak
at eye level, AWOL.

The snail shell by the roadside,
a broken house vacated, sprayed with mud;
the devil’s clubs’ clusters
of spikes, conspiring to poison;
and the narcissus, victorious
over pinecones —
I take it all in stride, for

this war is mine
                           to run, holding aloft a stick
                           wrenched from elm.
                           I strip its bark, expose within
                           my ivory-shaded sword, and order
                           birds to fly and plants to part the way.

            And after all, if Something finds me —
            The neighbor dogs, with shambling coats and eyes;
            Dad, stumbling under branches,
            bourbon on the breath, in his self-inflicted aftermath
            a family’s traitor —
            one must always be prepared.

            I know I’ll have to go
back. But for however long it takes
to trek past a beehive and risk the stings,
to kick away a molehill
and tread on something weaker saying “I was here,”
and know I’m moving over rocks and rivulets while
Mom goes nowhere in her TV chair
— I’ll stay and fight.
Back there, I’m underfoot and out of rations,
but here I walk above. I strike
fear, from the vine-throttled pines
to graves of frogs and pond scum.

There are no shoves and screams.
No slamming doors and stomping feet.
            Just a chirp and scuttles, shuffles and a breeze
            racing through the trees.
            It’s earth’s own beautiful battlefield
            and I command it all,
            as much as
I surrender.

#TBT: THROWBACK THESIS (“The Digital Campfire: Interactive Horror Storytelling and Web 2.0”)

I don't know, I got bored once.

“Ben Drowned” fan “art.” I got bored once.

Happy March! So things have been picking up in the last few weeks, relatively speaking: I’m a Managing Editor on the Cornell Law Review now, I got a part-time Spring internship offer from a local firm helping represent protesters in the fight to keep petrol storage out of Seneca Lake, and I’m in talks with a Ph.D from the Global Catastrophic Risk Institute to possibly do some research and legal writing on proposed international legal regulations for handling emergent AI in an increasingly internet-dependent world. That, and the snow’s starting to melt around here in Ithaca!

All told, though, that means I’m definitely pretty busy, so I’ll cut to the chase: in the spirit of not having inordinately large update gaps on this purportedly professional portfolio-ish blog anymore–as well as throwing a quick bone to the “on Wednesdays we wear pink”-esque trend that is #ThrowbackThursday–I present to you my thesis paper from my senior year in the University of Washington‘s Honors English program, circa 2013.

Consummate geek that I was/am, while others were analyzing T.S. Eliot or non-heteronormative narratives in Latin American fiction, I wrote about… creepypasta. Well, not just creepypasta–I dove into how the modern internet has allowed the time-honored ritual of collaborative fiction to partner with interactive fiction as well, particularly in the case of the bite-sized “this really happened!” horror stories we all know and love to read in minimal lighting. I explain how The SCP FoundationSlender Man, and “Ben Drowned” each utilize(d) wikis and/or social media in similar but unique ways to present engaging, believable horror stories, then briefly discuss where and why Hollywood has succeeded or failed to capture this magic for “mainstream” appeal with films like Cloverfield and The Devil Inside.

So draw the shades, open a couple more browser windows, microwave a s’more if you want, and follow along as I analyze the thrills and chills of sitting down in front of…

The Digital Campfire
Interactive Horror Storytelling and Web 2.0

[A brief “P.S”: I initially considered shopping this around to relevant academic journals after I wrote it, but the plan got away from me and before I knew it I was writing legal notes instead! Part of me thinks this piece is best at home free on the internet anyway, like its subject matter; I have no idea whether putting it on my dinky WordPress blog puts me out of the running for a print journal picking up a variation on it some day, but at this point I just want to share the work and see what you folks think. With that “time capsule” quality in mind (and like I said, #TBT), I’ve done very minimal editing–mainly just new spaces between sections for clarity and a few egregious typos fixed, including the time I spelled “Doctor Who” as “Dr. Who.” As such, some details will be a tad outdated–most prominently, Marble Hornets finally wrapped up (with a polarizing ending), and I’m psyched for the SCP Foundation movie!]

BACK IN BLACK AND/OR PINK – Valentine’s Up-Date

Happy Valentine’s Day! In my regrettable absence (full disclosure: no real reason, I just got busy and then Christmas Break happened/was pretty great), the rest of 2014 and the start of 2015 came and went without much in the way of remarkable developments–I made it through another semester at Cornell Law School with a modest cumulative 3.4 GPA and am preparing to advance to a higher editor position on the Cornell Law Review, but progress on my novel, “There’s Something Wrong with the Neighbor’s Cat” (link goes to pretty darn outdated character profiles) has been drip feed-esque at best, and the hunt for some manner of fulfilling legal work over the summer continues. Also, I’m trying to build a PC–parts so far include the processor, monitor, about twenty new Steam games, and this reasonably baller case:

It's on like TRON.

It’s on like TRON.

So since the only thing piling up more than sparkly, Solo cup-studded snow over here in Ithaca, NY is academic obligations, I’ll be brief in circling back around to that first joyful lead-in: It’s February 14th! Short story shorter, I’m still single, but if I wanted to straight bemoan the fact I’d send you a link to my Tumblr. Instead, in a bit of a “less is more” combo, I’ve got a pair of poems produced under varying circumstances. The first is another semiautobiographical magnetic poetry quickie I assembled while in the good ol’ “waiting room” at the UW’s English Department in the recesses of Padelford Hall while back home for the holidays. I don’t really name these ones, but I guess “What Boy” is as good a title as any:

What Boy

The second poem is one I actually wrote about a year ago, not coincidentally close to this time of the month. I didn’t share it initially because, to be honest, it’s pretty dang rough, schmaltzy, and was initially typed as “prose” on a lark describing the subject to a friend in a late-night Facebook message. I gave it and the reasons behind it some time to cool off, though, and figured today that it couldn’t hurt to toss it up again in light of the season, if only as something of an emotional time capsule–in any case, it’s vague enough that I’d like to think folks with a quirky, geeky sense of romance can relate to it (and I doubt those are in short supply on the internet!) , whether in a relationship or not. So again, just think of it as bittersweet “pop poetry,” and enjoy reading about a feeling that’s…

Hard to Describe

“UW” (+General Update!)

So I know it’s been a while since my last update ’round these parts… but I have a reason! Specifically, three: the first is my week-and-a-half-long trip to Italy in July, which sent my family and I “down the Boot” from Venice to Pompeii in a flurry of pre-modern churches and gypsies. The second is the continued writing of my first novel, “There’s Something Wrong with the Neighbor’s Cat: A Hyperawesome Nick Smiths Adventure,” a process which I don’t feel lends itself well at this stage to being shared in internet-size segments (however, while the informal write-a-thon has concluded, the most thorough and earnest summary of the project can still be viewed here).

But the third is my impending attendance at Cornell Law School in Ithaca, NY! Getting my affairs in order for the big move, from getting my superfluous books in suitcases to taking a train home for a single pertussis shot, has been a surpringly taxing affair, but knowing that I’ll be getting a righteous legal education (in the Bill & Ted sense of the word) in a brand-new community is encouragement enough.

However, when looking towards an uncertain, one cannot help but reflect on the collective memory formed by the triumphs and trials of the past that led to where they now stand. It was in just such a pensive mood that I ressurected an old childhood hobby of mine and composed a collage, made exclusively of images taken with my iPod Touch’s camera during my undergraduate career at the University of Washington. However, I saw the opportunity for this to also be a visual story of sorts, quietly encapsulating the passage of time, with all its uplifting beauty, humorous absurdities, and emotionally-trying moments that college students go through. As such, I deliberately omitted pictures that showed my face or centered in on my name, and while the majority of these pictures are in chronological order, a few have been rearranged to act as a “chorus” or signal reflection on the part of the “narrator”.

…Or something to that extent. I don’t know, I’m not an art major or anything. I was just in an introspective mood and felt like making my first “visual story” piece. By all means, enjoy and critique!

The difference between "college" and "collage" is but a vowel.

The difference between “college” and “collage” is but a vowel.

“Above” (NEW STORY(S) OH COOL)

The Towers

Oh hey, my iPod took a decent picture for once!

After breaking back into a pattern of regular updates this January, I must confess it’s been a time since my last e-contribution. Two weeks, in internet-years… that’s what, a decade? But no matter! New material is here, and well as new news. A brief diversion before the “main course”:

–The latest issue of the University of Washington‘s premiere speculative fiction journal AU is revving up for their seventh volume, “Chronos,” where time (travel) stories are the name of the game! Fittingly/fortunately enough, the deadline traveled into the future a full seven days last week, allowing me much-needed time to put the finishing touches on my submission, “Until,” last night. It’s a (hopefully) thought-provoking piece adapted from a lighthearted word-doodle I produced for “Write Away!” a year ago, and it also has this opening line:

“One day, I woke up, and it was the future. Not just for me, though. For everybody.”

The rest is a little rough in spots, though, so I’m going to hold off on posting any further samples until I hear whether it’s been accepted or not–and if so, what the editing team has to offer!

———-

So yes, back to business: I’ve shared work from my poetry class, but not prose! That’d be ENGL 384 on “literary portraiture,” in which we read the works of authors with a distinct style and then try to imitate their style in a piece of our own. The below story was initially my shot at imitating the tone and texture of Mary Gaitskill’s “The Other Place,” though I kicked it up a notch with illustrations (as inspired by the experimental elements of Carole Maso’s The Art Lover and W.G. Sebald’s The Emigrants) for a more recent “longer short fiction piece,” along with overall revision. Enjoy!

Above