New Short Story(?): “Santaology”

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The jolly is out there.

Merry Christmas, all! Or at least the season thereof! The snow shows no signs of stopping up here in Buffalo, NY, but the warm glow of a computer monitor is comfort enough to keep me going against the cold of wintertime.
With this optimism in mind, I present to you… well, not a story, per se. Think of it more as helpful information from a world more magical than ours, yet less nonchalant than the one which always seems to exist in movies where adults don’t believe in Santa despite him actually existing. I actually started writing this for last Christmas, but when I realized I wasn’t going to finish it in time, I thought it better to sit on it for a year. And now, as it blessedly always does, the time has come again!
So enjoy this segment from a popular magazine, Modern Science, as its regular column “Playing the Fields,” devoted to educating readers on lesser-known areas of scientific study, dives into the critical field of…
Above “original” image credit: this guy.

New *Paper*: I wrote about AI for Oxford!

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Thinking himself to pieces, it would seem.

Happy October! The sun is shining, the leaves are falling, and the skeleton army is preparing to march through a neighborhood near you. In the meantime, assorted work/life strife has admittedly left me in a creative fallow period (though new stories are definitely underway). Yet here’s something different: an academic paper!

Not as exciting, I know, but get this: the other year, I drew upon my experience with both law school and worrying about killer robots to write with Dr. Seth Baum of the Global Catastrophic Risk Institute on how to assign liability for the wrongs/crimes of robots and artificial intelligence.

It took a while, but the most prominent of these pieces is finally out in print — published by Oxford University Press, no less!

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It’s only like 14 pages long, and there’s pieces by other fine scholars in the same book. So give it a look-see in print or eBook form here on Amazon!

“Haunted House Call”: A #NightmareForce Case File

It's just a scary story... what's the worst that could happen?

It’s just a scary story… what’s the worst that could happen?

Happy Halloween! It’s been a busier one than most for me–in-between prepping for tests, essays, and moot court competitions, I’ve scare-cly found time to even carve a Jack-o-Lantern since… ever? Now there’s a frightening thought!

Yet I still managed to utilize Spirit Halloween‘s generous two-day shipping discounts to assemble a costume. My choice: The Babadook, titular bogeyman of the 2014 Australian sleeper-hit horror flick (now streaming on Netflix!). The most critical element–stage makeup–couldn’t be ferried by plane for some probably-TSA-related reason (are the terrorists just raring to smuggle powdered explosives in canisters of Chaplin-esque grease paint?), but fortunately the local Spirit branch at Ithaca Mall pulled through. Add some black construction paper, and there you have it–instant nightmares:

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But onto the main attraction: As customary, I aim to provide a scary story every year for Halloween, even if it’s a matter of hours before November. Since the last story I even wrote was 2014’s Halloween tale (Pruritus), I felt especially compelled to produce one for 2015–come hell, high water, or lesser academic obligations.

As such, I present another Nightmare Force “Case File.” When we last checked in with the Nightmare Force, they were (spoiler alert!) busting a child-snatching interdimensional parasite that took up residence in one of Cardinal University’s computer labs. In this installment, we learn a bit more about how they live and interact when they’re on–and off–the job. Where do “DEMONS” come from, and how can any human weapons stop them? What shocking secrets and talents does the rest of Aron’s team have? And just who really leads the Nightmare Force, and keeps their missions under wraps?

It all starts to reveal itself on Halloween night, when a sinister spirit comes calling on one average college kid who read the wrong email…

Guns. Ghosts. Gore. Graphics cards. Time to delete some evil.

Haunted House Call

– – –

[Source for the original creepypasta of La Muerta Blanca by someone else. In the world of Nightmare Force, the idea is that this story already exists online, though I tried to put a new twist on it for this adaptation. Also, I am the polar opposite of Angela and Rip when it comes to crunching numbers–you’ll know when I probably screwed up, but hopefully the scene’s purpose in the plot will still make sense.]

New Story: “A Routine Tune-Up” (+Introducing NIGHTMARE FORCE)

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Happy almost-summer! Since last posting, I’ve finished my first year of law school at Cornell, and I’m currently gearing up for studying international law at the Sorbonne in Paris starting next week. In the meantime, though, I’ve been tending to a smaller project I started when progress on my novel (There’s Something Wrong with the Neighbor’s Cat) got to feeling too daunting in the short term. That project: a short prequel/interquel to a very different novel: Nightmare Force.

Some background, because this is a vignette/”spec script” of sorts: Nightmare Force is intended to be a horror/sci-fi thriller loosely based on “Binary DNA” (by “K.I. Simpson,” I think) and a handful of other creepypasta. The main characters are a team of six Engineering grad students at the fictional Cardinal University in New England; by day, they are the school’s “NetFixerz” tech support group, but by dark they are the “Nightmare Force,” hunting monsters, ghosts, interdimensional beings, and other entities that interfere with our world via electronic technology. Picture a hi-tech combination of The Brothers Grimm and Inception — with imagery drawn equally from cyberpunk and surrealist artists like Zdzisław Beksiński — and you’re not far off.

The circumstances of where the Nightmare Force obtained their skills — as well as how they first met — are mysteries to be slowly revealed over the course of the series. However, while I always told myself I’d never pull a Richard Kelly and assume everybody understood the elaborate universe I created after only sharing a quarter of it, this story features terms and tools that–for the sake of pacing and chronology with the rest of the planned series–I didn’t feel comfortable providing an exposition dump for. As such, I’ve added brief character bios and a glossary below, as well as links to a few relevant songs I listened to while writing. Feel free to read them first to understand what’s going on (WARNING: SOME SPOILERS), or just jump right in and check it later as the mood suits you!

Either way, put on your gloves, secure all the exits, and make sure your screwdriver is good and sharp, because it’s time for…

A Routine Tune-Up

#NightmareForce

– – –

Character Bios

  • Aron Lovelace: The primary leader. Aron is first in line to issue orders, interact with entities, and communicate with outside sources. He is professional and focused almost to a fault, but still knows how to lift his teammates’ spirits at one second and get down to business the next. Aron is asexual as well as dysamoric.
  • Ripley “Rip” Zeese: The “lifeline” and secondary leader. Although the team’s rotation schedule occasionally puts her “in the field,” Ripley generally operates from the secret Nightmare Force “HQ” with a triple-monitor computer array, lightning fast internet connection, and remote aid. When not in the field, she maintains constant contact with Aron via an earpiece, a responsibility which sometimes conflicts with her unrequited affection for him. For better or worse, her efficiency is owed to being a literal workaholic, as well as a variation of insomnia which allows her to only need three hours of sleep a night.
  • Calvin “Cal” Gutenberg: The data-collection expert. Cal studies for physical traces of an entity’s past or current presence, collecting samples when need be. He is chiefly tasked with using the “neo-vial,” a test tube-like device which produces information concerning the chemical composition of any substance put inside it. Cal is bulimic, but has yet to seek help.
  • Angela Redwall: The survey expert. Angela assess and secures the surroundings — digital and tangible — of the environment before the team “goes to work,” as well as the likely type of entity they face [“Classes” will be explained in a later post]. She has high-functioning autism.
  • Richard “Rich” Logenbach: Hardware expert: Richard is in charge of handling and managing the team’s arsenal and tools. Although Aron is the leader, Richard’s people skills are stronger and so he often helps ease potential clients and provide any relevant alibis. He is also a minimalist, and has a unique neurosis that can best be described as “compulsive charitableness.”
  • Fuller Narson: Co-hardware expert: Fuller works in tandem with Richard, although his knowledge of their hardware is not as extensive. Fuller suffers from an inferiority complex and severe codependency, and it is with awareness of this that Aron makes sure to emphasize the value of his contributions to the team.
  • Rod: Rod is Aron’s tulpa, a “thoughtform” which — as the only child of a broken home — he created to keep himself company. However, Rod slowly morphed from a joyful clone of Aron to a repository for his most perverse dormant emotions, and grew beyond Aron’s control to erase from existence. The two enjoy an uneasy relationship, as while Rod generally appears to humiliate or threaten Aron, it also has a unique insight into interdimensional beings and creepspace which it may impart to Aron — with or without him realizing it.

 – – –

Glossary

  • DEMON: In the world of Nightmare Force, all the ghosts, monsters, curses, and “haunted videos” you’ve heard about are real–though not as you’d expect. Rather, these phenomena are the result of quasi-parasitic beings from other dimensions which, for scientific reasons even the Nightmare Force has yet to fully understand, find the most efficient way to enter our world is through the electrical activity in computers, televisions, videogames, and other forms of modern technology. The origin of these beings can still vary, though, and hence the catch-all term “DEMONs”: Digitally-Embodied Malevolence and Organized Neuroses.
  • Gloves: The Nightmare Force wears gloves for the same reason construction workers or exterminators do: to prevent injury or “infection.” A specialized electric current running through the gloves prevents any DEMONs from harming, possessing, or otherwise interfering with the team while they manipulate technology with their hands.
  • //skeletonkey:  A codeword developed by the Nightmare Force to bypass extensive coding and alter a computer’s settings more efficiently. Although all of the team’s members have extensive coding experience, time is often of the essence, and a failed skeletonkey bypass is a quick sign that something is seriously wrong. The codeword’s usefulness is limited in that it will only work with computers that have been programmed to accept it (such as Cardinal’s school network).
  • Scrubbing: Although DEMONs can generally only move via a wire or direct signal, wireless cross-platform transmission (such as from a phone to a computer) is not impossible. As such, when security is a risk, Rip may remotely “scrub” sensitive connections to the team, shutting out DEMONs before they can enter. The process consumes enormous amounts of computing power and electricity, so it can only be performed for short bursts of time.
  • Code Omega: In the Nightmare Force’s line of work, frauds and mistakes are not uncommon, and even a legitimate threat may bide its time before displaying explicitly supernatural properties. “Code Omega” signifies that the team is unmistakably dealing with a DEMON, and must take appropriate actions.
  • Manny: Short for “manifestation” — refers to the form which a DEMON takes if it enters the “real world.”
  • Biotrackers: Minuscule tracking chips implanted in each member of the Nightmare Force, impenetrable and undetectable by any known devices except their own.
  • Creepspace: The nickname for a “transpsychological paradimension,” in which a DEMON may — through some form of sensory contact, such as touch or sight — abduct a person into a pocket dimension bound to its mind, like a spider dragging prey to its nest. Conventional laws of time and space will not necessarily apply in creepspace, and those trapped within may die or go insane before they can manage to escape. Voluntary entry into and exit from creepspace is possible but extremely risky, and no two pocket dimensions are alike.
  • Gun: The Nightmare Force’s guns fire tinted bullets which also carry a compressed electrical charge. For security’s sake, they will only function if handled while wearing charged gloves as well.

– – –

And finally, here’s some songs I like that capture the mood and themes of Nightmare Force:

“You Won’t Read This” (Poem)

Wait... is that a baseball diamond back there?

Wait… is that a baseball diamond back there?

Well, it’s been a time since I shared some poetry on here — what with law school and all — but that doesn’t mean I haven’t been writing it. It took gradual progress and drafting, but I started and finished this one after only a month or so into the winter semester! It sat on my hard drive for a while, passed around among friends, but I decided I should share it on here.

It’s about college, and part-time jobs, and literary journals. It’s about paranoia, and privilege, and not being totally sure who or what you want to spend life doing. It’s about girls — a million, or three, or maybe just one. It’s about videogames, the internet, and wishing you could talk with music and intense colors instead of text messaging and social cues.

Ironically, the poem “functions” best the fewer people read it — and yet, of course, I love to share my work and get feedback. So I hope you don’t take the title to heart too strongly when I say…

You Won’t Read This

– – –

This particular piece felt like a leap for me at first, but in retrospect it was a pretty logical progression. During and after writing a “literary self-portrait” in English last year, “An Easier Way to Get Out of Our Little Heads,” I realized how natural, cathartic, and yet… well, artistic it felt to write in a prose-poetry style–flitting between ideas and images, figures of speech and cultural references, yet wrapping it all back around around a core of feelings and thoughts that read as personal and yet relatable.

Looking back, I started letting poetry take over keeping a journal around the end of high school — a few stray verses or a whole poem every few months (admittedly, of varying objective quality) as a way of condensing my hopes, frustrations, and a handful of powerful memories into a structured yet sincere whole. So with this one, I decided to take everything I’d learned — and experienced — in the past few year, and try it again. It may be too early to self-declare a niche for my poetry, but I feel like I really found it with this one (is “love and philosophy for Millenials” too long a moniker?).