Poem of the Week: “See, I Can Do It Too”

This poem sat on my computer in various scraps for years. It started out bitter and detached but became inspirational… I think.

Maybe it’s still scraps. But I feel like it works.

See I Can Do it 2

See, I Can Do It Too

 

Beauty is a cold war

 

of cold creams and old dreams.

We’re in an arms race of allurement,

knee-deep in Vaseline and expectations,

dangling a lit match and whispering

you get indifferent first.

 

So no self-effacing, a selfie facing

those well-strung masks.

We can adopt Comedy, poise paralytic:

every post a pick-me-up,

every Snap a sell,

thumbs covering

the drunken nights and irreverent fetishes

so no one can confuse our appearance with our images.

Or, Tragic, revel in dishevelment,

photos filtered but cigarettes not,

for sadness the brand: Preaching peak minimum,

swaddled in ripped jeans, flannel,

and hashtag security blankets

knit in pocket supercomputers.

But either way,

 

fame is cheap.

 

Inflation does that.

It takes lots of work

to be concertedly ignored, or stir guilt

when glossed over.

Caked in Adobe clay, some wait

for the reblog of a lifetime,

the intentional accident,

the headshot launched, Voyager-like,

that’ll unlock their day job,

riding a stream of unconsciousness.

 

And the hope grows but flickers:

batting at shadows, Plato’s Allegory

of the gravely misjudged chances.

Freak flags lower to half mast.

 

But if the internet’s a big sweets machine,

I’d rather be a cake than a cog.

When it comes to popularity, I’m ashamed

to say I’m shameless—Better hell in the Top 40

than heaven with Pitchfork.

So I follow

models, vloggers, icons, artists,

and tell myself I’m a conscientious objectifier:

ready to Like unto others

as they Heart unto me.

 

But at the end of the day,

you’re still only ones and zeroes in my screens,

if not for minds then behinds,

set to amuse on the pot or the bus,

or when my desktop’s froze up,

en route to real life.

Pitch a show, rock a suit, tell a joke—

it’s all been done before,

there’s just quicker memes and more greenscreens now.

And it goes to show how

 

love is contagious,

 

not airborne.

The admiration to spur a fan page rampage;

to call a dox or charity drive with equal ease;

to lob a line or look into a crowd and have catchphrases

echo back at you like grenades full of validation.

And every comments section squabble, an exercise

in mutually assured instruction:

Pity or competition.

Learn your place or take his.

 

I’ve stared at UFOs less spellbound

than those accounts.

Beauty? Fame? Love?

What’s it take,

what strand to grasp

to untie this Gordian knot

or simply cut and run?

I could be you if I wanted to

the sloth’s refrain.

But the truth remains:

 

Bodies can be airbrushed,

voices autotuned,

words ghostwritten,

fashion provided,

and pasts smoothed over.

 

You’re known?

Good for you.

Address to the electric ether

or a mirror, depending

on my motivation.

Because I tell myself

 

it’s all about who you know.

 

Which means it’s all about who

you have the luck to be born of

 

or, just maybe,

the courage to call.

 

 

The Weekly Poem: “ISYMFS”

This is a poem ragging on someone I used to be.

Lifting Music

ISYMFS

Self-pity is exhausting.

Setting up. Dressing down.

Hitting the bench and feeling the burn

of bridges and bones,

red-browed, tearing up.

 

No shuffle mode. Workout routine is key.

Purposeful discontent.

Warm-up: five reps of Radiohead,

creeping through the fake plastic trees.

But we’re just getting started.

 

Ed Sheeran works the chest,

an Iron-Man core of sweat as you power through

the half-hics, clicks of exes’ Facebooks

and photo albums unmodified for years.

Upper back: Motion City Soundtrack,

shrugging at exaggerated inadequacy.

Rack it. Congrats.

Selective rejection sets a beat

to push through pain.

 

Take a break in-between exercises

and stare down the ceiling.

Plead and need and

listen enough, and Achievement Unlocked:

Everything You Deserve.

(At least, that’s the plan.)

 

Legs day takes determination,

bipolar but still the same bar.

Brow furrowed, striding uphill, across town,

head light from wistful intents and retroactive rebellion.

Make it a day to remember—

keep your hopes up high and your head down low.

 

Arms are Snow Patrol:

Balled fists at kisses missed

and arm tensed, “V” for vowing

it’ll never be as good as it was back then.

Crunches: hunching over the PC,

a knuckle-gut feeling as you surveil

the blips and tickers, traffic-like,

for a flirty PM or Verified retweet

suggesting there’s still a chance.

It takes a lot of activity

to be inactive.

 

And Coldplay? Creatine, the chaser

to an evening well-undone.

Don’t forget to stretch

with some neutral Top 40 tune.

It’s okay to go tired to bed,

just not breathless.

 

 

 

 

But, you know what?

 

The gains never come

and the wait never lightens.

Personal trainers are costly,

and spotters hard to come by.

 

So, I’m thinking,

if you try to raise your spirits and it breaks your back,

take some plates off already.

It’s less muscles to smile than frown,

goes the cliché, so hey—

why strain something?

 

Yeah, things not working out is a workout,

but it doesn’t have to be a burnout.

Motivation goes both ways, and so it’s high time

you scaled back—slowed up—

eased down the dumb bells

and said “what the hell,”

 

It’s still your set,

and I know you can lift less.

 

 

The Weekly Poem: “Vigils”

[Happy Daylight Saving Time! With it, I announce my new goal: A submission a day, a poem a week, a story a month, a book a year. Let’s do this thing already!]

vigils

Vigils

Vigils are interesting.

Why always at night?

To be sadder, more dramatic?

People can mourn in the morning,

die during the day,

get introspective anywhere.

The candles wouldn’t even need to be lit

if the sun was up.

 

It struck me as

an inelegant elegy, a premature retrospective.

The funeral frontloaded and publicized.

A pat aftermath of fundraisers and belated favors.

 

Not insensitive, just intrigued.

Numb to the inevitable.

Always staring more than sharing

in a loss.

 

So when I did attend one,

the college President having passed to cancer a weekend prior,

I wanted to care—and did.

Still, a sense of intrusion loomed over me

as I marched to the plaza—

no tale to tell, no anecdote to impart.

As if spectating carried a scent

and out I’d be found.

 

But it didn’t matter.

It wasn’t cresting the hill

and seeing the place packed with solemn students.

Or the emcee’s invocation,

to thank us all for coming

and just wanting to say a few words before we all began.

Nor the moment of silence.

 

No, it’s the motions and emotions

only presence can capture.

Not the photographer’s exhibit of a tear-hardened cheek

or the paper’s front-page summary,

relegated to rusty coffee shop news-racks.

Sadness spreads,

and who we keep in our thoughts could fill a whole shelter,

but there’s no honor by proxy, no tristesse à deux.

 

It’s the prone canvas of handwritten hopes, thanks, and well-wishes

on a foldout table to the side—

the eulogy democratized, a technicolor tombstone.

It’s the tremble of a dozen hands as they pen condolences,

and the shades chosen:

Black (traditional),

orange for vitality, pink for love, blue for hope.

It’s a tall Tupperware subbing as a donation box,

aflow with crisp and crumpled bills alike.

To attend is free, but everyone will contribute.

It’s how a man speaks about What She Meant to Me,

 

and, candle in hand, my pedantry melts in kind.

The weeping wax is a quick pinch

of the thumb en route to concrete,

and I should have known

 

we sleepwalk through work, play, and three square meals,

only to truly wake in the lonesome, cold, and eerie hours.

Death is a tide that stains instead of cleanses,

and the waves crash by dark

yet recede by day.

We can’t stop the storms, but we can build each-other lighthouses.

One wick to another, pale palms raised

to signal shore:

Faith. Thankfulness. Perspective.

 

The band lilts, coaxing notes

to lay a hand on bucking shoulders.

A sheet of music draped over the coffin to come.

There are minds and souls here, but no body,

and nobody is leaving just yet.

 

We are one wonder less,

wonderless the world still turns.

Better to learn it together,

to feel around emptiness and still take something out of it,

because memory is not a spectator sport.

– – –

A Blue View (Poem)

So believe it or not, for #Blizzard2016, I was stressed but cozy in a Manhattan lawyers’ conference room, practicing a moot court argument. But in snapping a few pics on break (Instagram: TNW24!), I was so struck (literally and spiritually) by the historically epic levels of snow that I decided to semi-freewrite a little poem:

A blue view, double digits up.

The reflections of our inflections

float over the snow like ghosts, and

it’s haunting,

this icy twilight, when sirens fire down empty avenues,

flakes swirling so the fall and rise look alike

to tired eyes lifting a headache

past glass, under a flickering light

over a lavish table.

Delicate delicacies and canned heat, bottled water—

an anxious banquet by holed-up hosts,

mostly confident we’ll make it out of here safely at dark.

As our floor scrapes the sky, so sleet scrapes the streets

in sheets, defeating any chance of steady wi-fi

or an uneventful stroll to the ATM.

The air occluded, Arctic darkness

blows gridwise in cold lines,

a hazy maze that shakes structures and ruptures Saturday plans.

The windows across are white-swept cells, clotted with frost.

The lights are off, and nobody home—

A law firm’s a bunker when New York is Nome.

IMG_6119

Hope everybody else in the area stayed safe and warm!

“You Won’t Read This” (Poem)

Wait... is that a baseball diamond back there?

Wait… is that a baseball diamond back there?

Well, it’s been a time since I shared some poetry on here — what with law school and all — but that doesn’t mean I haven’t been writing it. It took gradual progress and drafting, but I started and finished this one after only a month or so into the winter semester! It sat on my hard drive for a while, passed around among friends, but I decided I should share it on here.

It’s about college, and part-time jobs, and literary journals. It’s about paranoia, and privilege, and not being totally sure who or what you want to spend life doing. It’s about girls — a million, or three, or maybe just one. It’s about videogames, the internet, and wishing you could talk with music and intense colors instead of text messaging and social cues.

Ironically, the poem “functions” best the fewer people read it — and yet, of course, I love to share my work and get feedback. So I hope you don’t take the title to heart too strongly when I say…

You Won’t Read This

– – –

This particular piece felt like a leap for me at first, but in retrospect it was a pretty logical progression. During and after writing a “literary self-portrait” in English last year, “An Easier Way to Get Out of Our Little Heads,” I realized how natural, cathartic, and yet… well, artistic it felt to write in a prose-poetry style–flitting between ideas and images, figures of speech and cultural references, yet wrapping it all back around around a core of feelings and thoughts that read as personal and yet relatable.

Looking back, I started letting poetry take over keeping a journal around the end of high school — a few stray verses or a whole poem every few months (admittedly, of varying objective quality) as a way of condensing my hopes, frustrations, and a handful of powerful memories into a structured yet sincere whole. So with this one, I decided to take everything I’d learned — and experienced — in the past few year, and try it again. It may be too early to self-declare a niche for my poetry, but I feel like I really found it with this one (is “love and philosophy for Millenials” too long a moniker?).

“The Problem”

Eye Candy

My contribution to the “short, picture-focused dramatic sentiment” subgenre of poetry.

 

Image credit: By Michelle Tribe (originally posted to Flickr as candy hearts) [CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)%5D, via Wikimedia Commons