Poem of the Week: “Ennxiety”

As an introvert, I have a history of social anxiety. It’s nothing that needs medicating, thankfully–for better or worse, I’ve generally brought it upon myself. It’s hard to tell if I’ve improved over time, though–once people have known you long enough, changing their image of you is difficult without coming off as desperate. I tried to touch on some of that with this poem.

IMG_1568

From 2013, the year of unnecessarily long hair.

Ennxiety

Time travel is possible

on paper. Life, loose-leafed, smooth

to the touch, invites experimentation.

One can skip, flip forth and back,

or savor prose, mull over mysteries.

We, readers, grow

spoiled with fictive freedom.

 

And so society strikes me

as the poorest story: immutable

as ink, yet ever uneditable.

 

School introduces it.

Classrooms packed with cliques to pick

or corners to coopt.

Day one: glances flit ‘cross the room

like silent fastballs. Mental lists assemble:

Diehard. Tryhard. Potential network contact.

And, I’d assume, friends without ends.

So when like an orchestra warmup, eager impatience in E minor,

zippers and binders close—

people peer in pockets and watch the clock—

I have to decide who to talk to.

 

But eye contact’s a contract, and

if I mind the floor or door, I couldn’t be faulted

for breaching it.

Interaction means reaction, and—elephant-esque—

I remember every errant one I gave and got.

Like a tight helmet, the weight of faux pas past strains my brain.

 

Still, I’d type events in my calendar.

Dress well. Arrive on time.

En route, the swell and quell of motivation:

Earbuds pump optimistic late-night tunes

to diffuse the cloud of an absent Plus-One.

Standing on the fringe of a booming party’s blast radius—

dimmed, dumb—I’d clutch a Solo cup until my hamstrings stabbed

and I searched for a chair.

Token goodbyes in tow,

I’d escape to moonlight,

Fists low and heart rate high.

 

Let’s hear it for the spirit

of the staircase:

Charm, like lead vocals,

sounds so much better in your head—

theorizing all the wry things

I could’ve sprung on a glamorous diameter of acquaintances:

Workplace anecdotes. Political predictions. March Madness brackets.

 

And so discontent enters tradition, a given:

different verse, same as the fifth.

Déjà craint.

The predictability of an inability

to chameleonize.

 

I’d say it was a choice, my long-term voice.

An addict’s rationalization.

I can start any time.

Young independence means the side effects of defection

before you’ve pledged allegiance.

Kicking and screaming isn’t always visible,

 

but the dents and derision are.

Without the pop, culture was my cod liver oil,

but after enough awkward gatherings—

a virtual void of group photos,

the lack of a link to amicable hashtags—

I learned to fear the look on people’s faces when they realized I thrived

on something they couldn’t care less about,

rubbernecking at childish delights.

A babe magnet with the same polarity:

Those go-yonder eyes on a girl

when I laugh too hard, speak too high, prefer chiptunes to R&B.

After that, every casual ask is like I accosted them in an alley,

because the past plasters an invisible nametag

that can make random questions

scarier than silence.

 

First impressions are the deepest.

The social concrete dries fast,

and months later, I cemented in:

Interrupting people’s 2048 games and Duke scores for a hello,

then taking seats for a trio: my pizza and phone.

And when I approach to bore through some boredom,

it’s like my invitation to relation is an exhalation

of tobacco, and they kicked the habit.

 

Anxiety is when existence in the plural takes exertion.

It’s feeling a traffic signal redden, like a dry heave,

and taking the crossing a block away instead of being on the driver’s mind

when I enter last-minute.

It’s walking the long way ‘round campus

because repetitive respect feels like weight reps, and I’ve already maxed out

on eyebrow raises and hushed heys for familiar faces.

It’s peering over dancing crowds like a prince

or primatologist, lamenting

how I’d rather hear Van Halen wailin’

than the Bacchanalian beats boxing my eardrums.

And it’s every conversation a tennis rally:

Every yep and sure a nervous volley,

pulse rising with the count;
I got this becomes for how much longer?

Or a lungful of air underwater:

Dark and harsh, pressure mounts—muscles tense—

and it’s only

a matter of time

until

I

gasp and say something stupid.

 

I’ve wondered if there isn’t some part of me

I need to take out,

with a black belt in a back room.

Not self-destructive, but self-constructive.

Because what if we’re just monkeys with a terrible disease?

Afflicted ages ago with an urge to purge

our hurt, flash our worth, put our hopes on hold

with alcohol and skin.

A need for attention while we hide our intentions.

Kicking the can of our own inadequacies

down the road, only

to get stood up on a date with destiny.

 

If so, I guess

education is evolution,

and it’s a futile centrifuge

to try and change how others see you

without checking your own mirror.

If you want to be remembered, chase something

worth showing off, or going home to.

 

The world has no proofreader.

No word cap, no delete key

for slow scenes or broken characters.

But I need to believe there’s another chapter

just pages away.

Poem of the Week: “The Teenage Waste Land”

I first conceived of this poem years ago, when Honors English introduced me to T.S. Eliot’s “The Waste Land” and I got an urge to produce a modern version that’d aggressively borrow from my own favorite stirring songs and stories. It sat there until now with only a few lines (that I swiftly deleted), but the tone remains what I had in mind–albeit more worldly now for the self-awareness I’ve gained.

In the interest of treating this like an airlock for my own melancholy, I didn’t listen to any music while writing it or reflect on songs I used to listen to for “inspiration.” If “ISYMFS” was cleaning out my closet, consider this taking the bags to the curb.

IMG_1229

The Teenage Waste Land

This love was out of control.

Tell me, where did it go?

Cold, open—I crawl from the rubble

of bubbly optimism come crashing down

like C4 to a ceiling.

Heels to headboard, bed is a hospital ward,

recuperation indefinite. Now all I can do

is lay in my room, fall asleep, dream of you,

then wake up and do nothing about it.

Songs of ready-made restlessness

spoon-feed solidarity to a tired heart.

 

And yet…

take a number, I guess.

We all have a story to tell, so it might as well

go through a few drafts.

I still remember how I made you feel, once upon a time,

but the market for fairy tales ain’t what it used to be.

I will soon forgot the color of your eyes, but I don’t mind.

Everyone will die and lose,

so what will you do with the moments before it catches you?

Never asked, always implied,

and I am thinking it’s a sign

in the rearview, those lines I cast

before I cut loose and floated away:

Just say how to make things right, and I swear I’ll do

whatever makes you happy,

if it means a lot to you.

Put like that, I get why

guy drama is relationship strychnine.

 

So, know what?

Cast your stones, cast your judgment—

you don’t make me who I am.

I’m a patient man, as you’ve discovered,

and my passion was pen and paper all along.

Are we only damaging what little we have left,

to ever reconnect?

Hell yes.

Nature abhors empty shelves;

the stories of my generation won’t tell themselves.

Let these hazards of love nevermore trouble us.

Growing old’s a fact, but growing up is optional.

 

Yet every line I write’s a cost-benefit analysis.

Is the world better for hearing how morning light looks through my blinds,

or a childhood anecdote recounted in rhythmic alliteration?

And who would know once I do?

Quickly but surely,

circular illogic draws me back to routine:

wait and debate, try and flail,

rush and submit… shit.

One rejection:

a mental injection of barbiturates,

carte blanche to bitch about luck

and how there’s not enough time.

I guess I’ll go home now.

 

But it is plain as anyone can see, we’re simply meant to be

the person we picture when our head touches down—

that gap between dim aspiration and REM respiration.

By morning, I always find the words

when it’s too late to let them slip

and fall, for fear of my stand looking awkward.

Dreams are the only thing smothered above a pillow.

 

So a few weeks, and I’m back

on the horse—a kick, and it’ll stick!

I swear, this time I mean it.

Yet self-set deadlines feel like a vice

of virtue.

So I vow if I don’t follow through…

well, shoot.

Eh, some hell will break loose.

To penciled-in punishment, what a shock when there’s mere pages

for all the ages I’ve celebrated.

 

Maybe we were made for each other,

and maybe the world will look like this forever.

The kind of lie that stretches out hope

like a prisoner on the rack.

Still, palm to palm or ink to page,

it was believable, from a window looking on an alley.

I know I sound crazy—don’t you see what it does to me?

The chance I simply swapped rash ambitions,

the artist’s star in lieu of a lover?

Feathers to gold, the value unbudging?

The pleas for an ingénue cross to an audience:

You’d be good to me, and I’d be so good to you.

Why can’t you just be lonely?

 

This suit, this smile,

this gel-shellacked hair, this friendly Facebook exchange

is just a part I portray.

And I know exactly how it got this way:

Everybody needs some time all alone,

but if you left it up to me,

every day would be a holiday from reality:

a freestyle frenzy of riffs, rides, cliffside hikes,

artificial flavors for the screen and stomach.

It could be seventy-two degrees, zero chance of rain

—a perfect day—

and I’d still take ten thousand gigs of digital infinity.

Too much of anything is too much,

except when the alternative is failing

at the only work I ever chose.

 

I always get in my own way,

but dammit, that means I’ll hit myself on the way to the ground

and keep fighting on.

I can’t change the way I see the world,

and I can’t justify my reasons, but

 

if life is a sea,

then a living is a boat,

and hope is the shoals to which I sail:

some distant, shining semblance of fulfillment.

But it’s so far away,

and the rowing is so tiresome.

It’d be so simple to just go overboard, sink into an ocean

of promotions and prefixed expectations—

boxes to check, T’s to cross, watches to gild—

and let crash the waves of rationalization and procrastination:

action movies, YouTube, Steam, doodles and daydreams.

I need your discipline.

 Just tell me the way I ought to feel, what’s right and wrong.

 

A writer’s work is never done,

but I’m addicted to being finished,

and I need comfort like water in my lungs.

So if I ever asked anything

of the ones who’ve seen me this far,

it’s this:

 

be there, my first mates,

lifejacket at the ready

made of bright red faith.

 

Dive in when I’m down.

Save me from myself.

 

Don’t

let

me

drown.

Poem of the Week: “Home Less”

I went back home to Washington State for Spring Break, and… it didn’t feel like it used to. I’m still not sure if that’s a good or bad thing, but I thought I should “write it out.”

IMG_0777

Home Less

People speak of haunted houses,

but never the reverse.

 

We mistake it at first, home,

for the cabinets, countertops, and plastic toys.

That’s, after all, as far as our goals go,

as far as nimble legs can carry us:

to the playground,

TV room,

town bar.

Postcards, plaques, and photographs

hold fast the roof we sleep beneath—

hoarded mortar to the bricks.

All the world’s a game, and

you must be this tall to exit.

 

But over years,

under fees, degrees, double-digit birthday cakes,

expectations asphyxiate—comparisons oppress.

The mind moves but loops, running

not a marathon but a track:

Even if you notice a new patch of grass,

it’s still a circle.

 

And one day, returning turns nothing at all.

Through the front door,

and the past piles on, quarterback-like:

Memories of memories, of thoughtless acts

and thoughts never acted on.

The gravel avenue, the green, greener grass

remain unchanged,

yet the mailbox peels, the Jeep rusts,

and the dusty halls shine quieter.

Mirthful or mournful,

you can’t go back.

 

Every room is an interrogation room,

wrecked by recollections, recursion of diversions.

The bed’s a confessional,

coaxing midnight doubts and dreams

from uncanny comfort.

Bookshelves elevate what once mattered:

Piggy banks, cracked glasses, collector’s editions uncashed.

Half-sketches, bookmarks bisecting paperbacks,

beg questions:

When does a to-do become a once-was?

When does an ambition become an anecdote?

Branch out enough, and the limb will snap

at the base.

 

So it scares me, like a trust fall in transit,

that with so much behind, I don’t know where I’m headed.

Not depressed but compressed, lifted up

and weighed down at once

by the prospect of prospects.

 

Sure, stability is a privilege,

with a cap on laments.

Still, it’s unrelenting, this discontent

when the contents of my mind

mirror the zip code of my former universe.

A false sense of insecurity must come from somewhere.

 

 

When the beginning of your world starts feeling like its end,

the lucid dream becomes sleep paralysis—

a vacation becomes tourism through history.

There’s no cure for maturity,

but there is a placebo.

Just know

 

home is not a place

but a space, a radius

orbiting wherever we go—

satellites of plans, passions, and aspirations.

Home is not a building

filled with odds and ends and quiet blind spots.

It is building:

A life, a wife, a gig, something big,

or at least bigger than you were

the day before.

 

And until I lay those bricks—

wrap those drafts, earn that office,

let a ring follow a call for once—

there’s no place to rest.

But I’m fine being home less.

 

Poem of the Week: “See, I Can Do It Too”

This poem sat on my computer in various scraps for years. It started out bitter and detached but became inspirational… I think.

Maybe it’s still scraps. But I feel like it works.

See I Can Do it 2

See, I Can Do It Too

 

Beauty is a cold war

 

of cold creams and old dreams.

We’re in an arms race of allurement,

knee-deep in Vaseline and expectations,

dangling a lit match and whispering

you get indifferent first.

 

So no self-effacing, a selfie facing

those well-strung masks.

We can adopt Comedy, poise paralytic:

every post a pick-me-up,

every Snap a sell,

thumbs covering

the drunken nights and irreverent fetishes

so no one can confuse our appearance with our images.

Or, Tragic, revel in dishevelment,

photos filtered but cigarettes not,

for sadness the brand: Preaching peak minimum,

swaddled in ripped jeans, flannel,

and hashtag security blankets

knit in pocket supercomputers.

But either way,

 

fame is cheap.

 

Inflation does that.

It takes lots of work

to be concertedly ignored, or stir guilt

when glossed over.

Caked in Adobe clay, some wait

for the reblog of a lifetime,

the intentional accident,

the headshot launched, Voyager-like,

that’ll unlock their day job,

riding a stream of unconsciousness.

 

And the hope grows but flickers:

batting at shadows, Plato’s Allegory

of the gravely misjudged chances.

Freak flags lower to half mast.

 

But if the internet’s a big sweets machine,

I’d rather be a cake than a cog.

When it comes to popularity, I’m ashamed

to say I’m shameless—Better hell in the Top 40

than heaven with Pitchfork.

So I follow

models, vloggers, icons, artists,

and tell myself I’m a conscientious objectifier:

ready to Like unto others

as they Heart unto me.

 

But at the end of the day,

you’re still only ones and zeroes in my screens,

if not for minds then behinds,

set to amuse on the pot or the bus,

or when my desktop’s froze up,

en route to real life.

Pitch a show, rock a suit, tell a joke—

it’s all been done before,

there’s just quicker memes and more greenscreens now.

And it goes to show how

 

love is contagious,

 

not airborne.

The admiration to spur a fan page rampage;

to call a dox or charity drive with equal ease;

to lob a line or look into a crowd and have catchphrases

echo back at you like grenades full of validation.

And every comments section squabble, an exercise

in mutually assured instruction:

Pity or competition.

Learn your place or take his.

 

I’ve stared at UFOs less spellbound

than those accounts.

Beauty? Fame? Love?

What’s it take,

what strand to grasp

to untie this Gordian knot

or simply cut and run?

I could be you if I wanted to

the sloth’s refrain.

But the truth remains:

 

Bodies can be airbrushed,

voices autotuned,

words ghostwritten,

fashion provided,

and pasts smoothed over.

 

You’re known?

Good for you.

Address to the electric ether

or a mirror, depending

on my motivation.

Because I tell myself

 

it’s all about who you know.

 

Which means it’s all about who

you have the luck to be born of

 

or, just maybe,

the courage to call.

 

 

#WorldPoetryDay: My First Poem + Thoughts on the form

Trev Top Ten 15

Me circa the turn of the millennium, give or take a few years.

It’s World Poetry Day! This is, it turns out, not to be confused with National Poetry Day and National Poetry Month. To switch things up, I thought I’d take a step back and not write something new and ceremonious but simply reflect on my history with the form.

The first poem I ever came up with dates way back to 1998, at the age of 6. My parents were driving me somewhere and, as I stared up into the night sky, a quatrain just popped into my head:

A star is a sun

Waiting to be free

For when I had wished on it for life

It had wished on me.

At some point, a dictated copy in gentle calligraphy ended up in a little frame on my wall—and that of my grandma, too, ever the keeper of memories. At times, on brief trips back home for rest and respite between my studies and professional to-dos, I pause at those pictures. I reflect on how far I’ve come as a writer, and how far I still have to go.

I’ve moved through many phases of poetry since then, from goofy sing-song odes to my hobbies, to song parodies, to morose romance, to (I’d like to think) making the most of that English degree with deft imagery and wordplay. While I’ve never produced enough–or experimented intensely enough–to honestly define myself as a “poet” foremost, I still hold poetry in high regard as the purest form of expression. Music may predate it in using rhythm to strike a mood and captivate an audience, but language–by design–truly bridges the gap between thinking and feeling. Yet while grammar and syntax are useful, nobody thinks or feels the way we write an essay, a speech, a memoir, or even a blog post. Ambition isn’t utilitarian. Fears aren’t logical. Hopes don’t stall for commas and paragraph breaks.

And poetry runs on a spectrum; infused in storytelling, it’s what separates a paperback thriller from a literary classic, or a rote screenplay from an award-winning script. You don’t have to see the line breaks to know they’re there–and conversely, you don’t have to hear consonance, assonance, or clever spacing for it to impact how you feel when your eyes scan the page.

It doesn’t have to rhyme, or even make sense at first glance. It just has to mean more than it says. That freedom can be as paralyzing as it is exciting.

I welcome the challenge.

 

The Weekly Poem: “ISYMFS”

This is a poem ragging on someone I used to be.

Lifting Music

ISYMFS

Self-pity is exhausting.

Setting up. Dressing down.

Hitting the bench and feeling the burn

of bridges and bones,

red-browed, tearing up.

 

No shuffle mode. Workout routine is key.

Purposeful discontent.

Warm-up: five reps of Radiohead,

creeping through the fake plastic trees.

But we’re just getting started.

 

Ed Sheeran works the chest,

an Iron-Man core of sweat as you power through

the half-hics, clicks of exes’ Facebooks

and photo albums unmodified for years.

Upper back: Motion City Soundtrack,

shrugging at exaggerated inadequacy.

Rack it. Congrats.

Selective rejection sets a beat

to push through pain.

 

Take a break in-between exercises

and stare down the ceiling.

Plead and need and

listen enough, and Achievement Unlocked:

Everything You Deserve.

(At least, that’s the plan.)

 

Legs day takes determination,

bipolar but still the same bar.

Brow furrowed, striding uphill, across town,

head light from wistful intents and retroactive rebellion.

Make it a day to remember—

keep your hopes up high and your head down low.

 

Arms are Snow Patrol:

Balled fists at kisses missed

and arm tensed, “V” for vowing

it’ll never be as good as it was back then.

Crunches: hunching over the PC,

a knuckle-gut feeling as you surveil

the blips and tickers, traffic-like,

for a flirty PM or Verified retweet

suggesting there’s still a chance.

It takes a lot of activity

to be inactive.

 

And Coldplay? Creatine, the chaser

to an evening well-undone.

Don’t forget to stretch

with some neutral Top 40 tune.

It’s okay to go tired to bed,

just not breathless.

 

 

 

 

But, you know what?

 

The gains never come

and the wait never lightens.

Personal trainers are costly,

and spotters hard to come by.

 

So, I’m thinking,

if you try to raise your spirits and it breaks your back,

take some plates off already.

It’s less muscles to smile than frown,

goes the cliché, so hey—

why strain something?

 

Yeah, things not working out is a workout,

but it doesn’t have to be a burnout.

Motivation goes both ways, and so it’s high time

you scaled back—slowed up—

eased down the dumb bells

and said “what the hell,”

 

It’s still your set,

and I know you can lift less.

 

 

A Blue View (Poem)

So believe it or not, for #Blizzard2016, I was stressed but cozy in a Manhattan lawyers’ conference room, practicing a moot court argument. But in snapping a few pics on break (Instagram: TNW24!), I was so struck (literally and spiritually) by the historically epic levels of snow that I decided to semi-freewrite a little poem:

A blue view, double digits up.

The reflections of our inflections

float over the snow like ghosts, and

it’s haunting,

this icy twilight, when sirens fire down empty avenues,

flakes swirling so the fall and rise look alike

to tired eyes lifting a headache

past glass, under a flickering light

over a lavish table.

Delicate delicacies and canned heat, bottled water—

an anxious banquet by holed-up hosts,

mostly confident we’ll make it out of here safely at dark.

As our floor scrapes the sky, so sleet scrapes the streets

in sheets, defeating any chance of steady wi-fi

or an uneventful stroll to the ATM.

The air occluded, Arctic darkness

blows gridwise in cold lines,

a hazy maze that shakes structures and ruptures Saturday plans.

The windows across are white-swept cells, clotted with frost.

The lights are off, and nobody home—

A law firm’s a bunker when New York is Nome.

IMG_6119

Hope everybody else in the area stayed safe and warm!

Rumbl in the Tumbl (FOR THOSE UNAWARES)

I just Googled "Tumblr" and grabbed something that came up... I don't know, I got studying to do.

I just Googled “Tumblr” and grabbed something that came up… I don’t know, I got studying to do.

I have a Tumblr now! You’re probably already aware of this if you follow me on Twitter or are a Facebook friend, but I thought I would just make a formal announcement for those who still favor my blog, or wondered whether I had anything interesting to say for the last half-month again. While WordPress has been convenient and enjoyable to share writing through in the past, I’m planning on slowly shifting to and/or redundantly posting my shorter poetry and prose on Tumblr as well, as the more openly social nature of the site will hopefully allow my work to reach a wider audience more quickly–as well as introduce me to amazing projects that others are hoping to publicize, too!

So just follow that link right down there. I promise I’ll go easy on the washed-out nature pictures and HBO gifs!

http://trevorneilwhite.tumblr.com/

AU Issue VIII Launch Party!

Well, I’m not in it, but that doesn’t mean you should count yourself out!

strayingfromreality's avatarAU: Straying From Reality

Be sure to attend the AU Issue VIII Launch Party on March 15 at 6 pm at University Bookstore! You can register for the event on Facebook (and like AU!) here. Enjoy trivia, snacks, and readings by fellow AUers.

View original post

“Above” (NEW STORY(S) OH COOL)

The Towers

Oh hey, my iPod took a decent picture for once!

After breaking back into a pattern of regular updates this January, I must confess it’s been a time since my last e-contribution. Two weeks, in internet-years… that’s what, a decade? But no matter! New material is here, and well as new news. A brief diversion before the “main course”:

–The latest issue of the University of Washington‘s premiere speculative fiction journal AU is revving up for their seventh volume, “Chronos,” where time (travel) stories are the name of the game! Fittingly/fortunately enough, the deadline traveled into the future a full seven days last week, allowing me much-needed time to put the finishing touches on my submission, “Until,” last night. It’s a (hopefully) thought-provoking piece adapted from a lighthearted word-doodle I produced for “Write Away!” a year ago, and it also has this opening line:

“One day, I woke up, and it was the future. Not just for me, though. For everybody.”

The rest is a little rough in spots, though, so I’m going to hold off on posting any further samples until I hear whether it’s been accepted or not–and if so, what the editing team has to offer!

———-

So yes, back to business: I’ve shared work from my poetry class, but not prose! That’d be ENGL 384 on “literary portraiture,” in which we read the works of authors with a distinct style and then try to imitate their style in a piece of our own. The below story was initially my shot at imitating the tone and texture of Mary Gaitskill’s “The Other Place,” though I kicked it up a notch with illustrations (as inspired by the experimental elements of Carole Maso’s The Art Lover and W.G. Sebald’s The Emigrants) for a more recent “longer short fiction piece,” along with overall revision. Enjoy!

Above